Saturday, November 2, 2019

#AuthorInterview with Daniel V. Meier, Jr.

Today, Feathered Quill reviewer Lynette Latzko is talking with Daniel V. Meier, Jr., author of The Dung Beetles of Liberia: A Novel Based on True Events.
FQ: On the front of your book, it states that this is a novel based on true events. Whose life is it based upon, and why did you decide to write this story?
MEIER: A pilot friend and I worked together at the FAA and he was always telling these amazing tales of his life in Africa. He had dropped out of Cornell and was in search of adventure, so Liberia seemed the perfect place to test his skills as a small aircraft pilot. Little did he know! His stories were incredible. I kept telling him to write this stuff down. So, when I retied, I interviewed him for over 30 hours (and spent a lot of money for lunches) and amassed enough material to write a cohesive and thematic account of his adventures,
Book Launch
FQ: Has your friend been able to read a copy of your novel, and if so, what did he think of it? 
MEIER: Absolutely he’s read it.  He read the ARC.  Fortunately. he’s my biggest fan.  He loves it! However, I made a point of not letting him read anything before that point. As I told him, the book is not about HIM, but about a society headed toward ruin and his (true) adventures serve as a powerful way to illustrate the corruption and wealth of the time..
FQ: Were there any stories your friend told you that you enjoyed hearing, but had to leave out?
MEIER: Yes.  Animal rights groups would probably have banned the book.
FQ: The book’s title, The Dung Beetles of Liberia, is quite eye-catching. What motivated you to choose this particular title?
MEIER: The Dung Beetles was always the working title as it served as an appropriate metaphor of Liberian society at the time.  It seemed to fit at many different levels: the wealthy hoarding their treasures; the poor living in filth; the expats scurrying for profits—and the list goes on.  But I have to admit, I don’t like the title and I never have. The scatological reference is quite off-putting to some (including me) but I haven’t been able to come up with a more appropriate title. It’s a little rough, I admit, but life in 1960’s Liberia was a rough place.
FQ: While reading this novel there were a few shocking moments concerning the happenings in Liberia and the treatment of its people that this reader was unaware of. Did you ever come across any such similar experiences while you were writing or researching this story?
MEIER: Yes, absolutely.  The stories my friend told piqued my interest in Liberia—its history, its customs and what the future held after 1969 when he left. My research revealed not only the shocking events that I described in this book, but atrocities that cannot be fathomed both in the past and especially in the future.
FQ: As a former pilot yourself, have you ever flown into, or visited, Liberia?
MEIER: No. First of all, Liberia is not the same place today as it was in the 1960’s. Monrovia is a shell of its former self, with no infrastructure to speak of and very little law and order.  It is a dangerous place. But also, I have to tip my hat at what my friend did back then. To me, it’s a miracle he alive today. Call it young and foolish, but truth be told, his courage and piloting skills played a huge role in his survival. I have no interest in visiting or flying in Liberia today and I am doubtful I would have ventured there in the 1960’s.
FQ: Throughout the story, the main character is often forced to pay all sorts of bribes (referred to as "dash") to the locals from the lowliest kid on the street, to the highest government officials, in order to get even the most basic of things done. This of course is a foreign concept to many Americans. Why do you think this took place in such a wide area, and does it still occur in modern-day Liberia? 
Author Daniel Meier
Author Daniel Meier
MEIER: As I understand it, ‘dash’ is prevalent throughout Africa, even today. I personally ascribe it to the poverty on the lower rungs of society and greed at the top. The street boy who wants dash to watch your car has no other source of income. The small-time clerk needs dash because his paycheck is not a regular occurrence. The police do it because they CAN and as for the wealthy, that is just out and out corruption that has existed in this county for years and does still to this day.
FQ: Can you recommend any further readings into the history of Liberia so that readers may further their education on this fascinating country?
MEIER: The House at Sugar Beach: In Search of a Lost African Childhood bHelene Cooper
Madame President: The Extraordinary Journey of Ellen Johnson Sirleaf By Helene Cooper
Another America: The Story of Liberia and the Former Slaves Who Ruled It by  James Ciment
FQ: What can readers expect from you in the future? Will there be any further adventures in the life of Ken Verrier?
MEIER: I’m so pleased you asked!  I am now finishing up the first draft of a covering the Liberian revolution and the death of the last Americo-Liberian president, William Tolbert. This book may have less humor in it than The Dung Beetles as it depicts the particularly gruesome coup by Sergeant Doe who declared war on the ruling class of Americo-Liberians and introduced the use of military atrocities that set the tone for the next 25 years.

Friday, November 1, 2019

#AuthorInterview with Tracy Stopler

Today, Feathered Quill reviewer Skyler Boudreau is talking with Tracy Stopler, author of The Ropes That Bind: Based on a True Story of Child Sexual Abuse.
FQ:  The Ropes That Bind is a work of fiction based on a true story of child sexual abuse. Why did you decide to approach the story as fiction, rather than non-fiction? What kind of impact do you picture your novel having on readers?  
STOPLER: The Ropes That Bind started out as my personal journal that I hid away for several years until I was ready to revisit it in therapy. My healing (please know that it’s different for everyone) took a positive turn when my therapist asked me to share my trauma in a third person voice rather than a first person voice. So, for example, I was now telling the story about some other nine-year-old girl, not me. This was so eye-opening for me because it gave me permission to see the experience as an outsider and therefore I was able to be more objective. Although I was still anxious about the storytelling, I was no longer swimming in the stress hormones that previously flooded my bloodstream.
Several years later when I was writing my memoir, I turned the voice back from third person to first person and experienced an emotional setback. My therapist suggested that I keep the voice in first person but rename the narrator—and so, Tali Stark was born. Talmeans morning dew in Hebrew and Stark means strength in Yiddish. Tali Stark discovers the inspirational meaning of her name at the right time in the story.
The nonfiction part of this story includes naming many other missing children—the children who were abducted and found alive, the children who were murdered and the children who are still missing.
The impact of my novel has already exceeded my expectations. Many survivors have shared their stories with me and told me how reading The Ropes That Bind empowered them to break their silence. They felt less alone and more prepared to take that first step. They understood there would be many more steps to follow as they began their own journey to Freedom.
FQ: Your main character, Tali Stark, takes decades to heal from her abduction and assault. By the end of the novel, she’s still healing. Do you think trauma ever truly goes away, or is it something survivors must live with forever?
STOPLER: The answer to this question will be different for each person and dependent on many different factors. For example, STRESS + ADVERSE CHILDHOOD EXPERIENCES [ACEs] (physical, emotional and/or sexual abuse, emotional or physical neglect, and/or household dysfunction (alcohol/substance abuse, mental illness, domestic violence, parental separation or divorce and/or incarceration) = ALLOSTATIC LOAD—the wear and tear on the mind and body. However, healthy eating, exercise, meditation, sleep, support, spirituality and cognitive skills can increase one’s resilience. Researchers, McEwen and Stellar, reported the higher the allostatic load, the higher one’s vulnerability for disease (Stress and the individual. Mechanisms leading to disease.” Archives of Internal Medicine. 1993). So, intellectually one may feel that they’re handling the trauma just fine, but the body keeps the score and knows what’s really going on.
Individuals who have not experienced trauma cannot possible understand why it’s so difficult to move on. As mentioned in one of Tali’s therapy sessions, trauma does not go away simply because a child grows up. There are real tangible effects on the developing brain and body. There are changes in brain chemistry. There are changes in the immune function. There can even be changes in the DNA. The sooner a child gets help, the better the outcome. This is much easier said than done because the problem we are facing is that the majority of these children are keeping their traumatic experiences secret.
Just to give you an idea of how big this problem of secrecy is, one in four women and one in six men report having been sexually abused before their 18th birthday. The majority (87%) never told anybody. Keeping secrets plays a terrible role in staying stuck in trauma.
Author Tracy Stopler
FQ: It takes Tali time to discover what helps her own healing process and what doesn’t. It’s not a clear cut path and there isn’t a one-size-fits-all solution. Is this a typical scenario outside of fiction? Is there any way to make it easier?
STOPLER: Healing is an individualized journey that requires self-awareness and self-care. It’s important to nurture your brain—eat well, exercise, get enough sleep and discover a relaxation response that works best for you (meditation is just one form). Seeking wisdom, understanding and knowledge from experienced health professionals may provide a short-cut here and there, but I wouldn’t call any part of the recovery phase easy.
FQ:  Tali keeps silent about her assault and abduction for many years, as is often the case with survivors. What can society do to change this, and encourage more survivors to come forward and seek healing?
STOPLER: We can learn the physical and behavioral signs of sexual abuse. We can listen better. We can ask the tough questions. And we will have to address the secrecy caused by fear tactics of those who abuse.
Physical signs, like bruising and bleeding, are not identified in many cases because some sexual touching offenses like fondling, kissing and masturbating as well as non-touching sexual offenses like exposing a child to pornography, taking nude pictures, communicating sexual messages on the Internet, exposing oneself, do not leave visible signs. For this reason being aware of the behavioral signs is extremely important.
Behavior signs include: using new words to describe genitalia or sexual behavior; using toys or dolls to act out sexual scenarios; being afraid to be left in the care of a particular person or to play with a particular child; being reluctant to give details about time spent with another adult or child; experiencing headaches, stomach pain, change in appetite or eating disorders, nightmares, sleeping problems, bed wetting, anxiety and/or depression, frequent urinary tract infections, abusing alcohol or drugs; engaging in self-harming behaviors. Sexually abused kids are three times more likely to show their genitals to other children and 14 times more likely to imitate intercourse when compared with non-abused children. Parents who see or suspect any abuse should take their child to a pediatrician or ask to see a nurse examiner who specializes in sexual abuse examinations.
Although these signs are not 100 percent indicative of sexual abuse, they are signs that a child is under stress and parents should take action. Some questions parents can ask include: “Is something upsetting you?” “You seem quiet, is everything okay?” This can be an important start to help a child begin to communicate about what is happening to them.
There are many reasons why children keep secrets. We are responsible to teach our children that in order for us to protect them, there cannot be any secrets. We can explain this by saying, “Surprises are secrets that are meant to be fun when they are told, like a surprise party. But secrets that are not supposed to be told can be dangerous. If someone is playing with your private body parts or asking you to touch theirs, please tell me so I can protect you.”
Adult victims keep secrets too. They may fear repercussions from their abuser or they may not want to go thru the trauma of an investigation or prosecution. They may be experiencing self-blame, embarrassment and/or humiliation. Perhaps they are unable to report the crime due to a mental or physical disability. If you suspect something, remind your loved one that they are not alone and tell them that you will be with them every step of the way.
FQ:  Your interest in preventing childhood sexual abuse goes beyond fiction. You’re also The Enough Abuse Campaign Coordinator at the Safe Center on Long Island. What does an average day on the job look like for you?
STOPLER: There is no average day for me. As a trained facilitator, I go where I am needed when I am needed. Once a year I use my skills as a Master Trainer for a two-day seminar at The Safe Center. During this time we train volunteer facilitators to educate the community on how they can help to prevent child sexual abuse. They learn how to recognize the signs of sexual abuse in children and the personality traits of abusers. They also learn the short-and long-term impacts of child sexual abuse, how adults can be proactive in protecting children and the specific steps to take to report child sexual abuse.
FQ: What is the first piece of advice you give survivors to begin to seek help in healing from trauma? What is one piece of advice you would give to the families and friends of survivors trying to help them through it?
STOPLER: There is not ONE piece of advice when it comes to working with survivors and their non-offending family members, but I would encourage them to seek professional help as soon as possible. Family members and friends can listen without judgment and simply be there in whatever capacity the survivor needs. It’s okay to ask, “What do you need from me?”
FQ: What steps can parents and people without children take to protect children and lower these numbers?
STOPLER: Thank you for asking such an important question. Perhaps the answer can be found by exploring more questions.
  • Who abuses children?
  • Why do people sexually abuse children?
  • What skills can we develop that will help us prevent sexual abuse before a child is ever hurt?
There is so much focus on child sex abuse treatment, which is great and important for those who need it. However, as the public health model demonstrates, the benefits clearly are with child sex abuse prevention. This is where we believe we can have the greatest impact. Common strategies to prevent child sexual abuse include identifying, prosecuting, treating and monitoring the abusers. Also, preventing perpetration and preventing re-victimization through educating the community through programs like the ones offered by The Safe Center and the Enough Abuse Campaign.
It’s important that we understand the character traits of those who sexually abuse children. Collecting data can be challenging because what we know comes from those who have been caught and convicted. The majority of sex abusers have not been caught, convicted or even suspected and are known only by their victim(s). Which reminds me—please do not use the sex offender registry as your only source. The names on this list are a small percentage of the actual number of offenders out there. From the data collected for these studies we know that the majority of abusers are male, heterosexual, married, have some college education, hold steady jobs and belong to some religious organization. However, women and youth also abuse. There are also a significant number of cases where a child sexually abuses another child.
These adult sex offenders are generally nice and likeable. They are patient and select jobs where they can work with children. Preferential (high risk) abusers, like Jerry Sandusky, often take jobs that will put them in positions of trust with easy access to children. They target single-family households with children. Children who lack a father or adult male in their lives are especially at risk. Male abusers often nurture relationships with the single mothers of these children as a strategy to gain trust and eventual easy access to their children. They build attachment through gifts, money, special treats. They befriend children who appear more vulnerable or in need of adult attention. While all children are vulnerable to abusers, children who are socially isolated with few or no friends or who lack adequate parental supervision may be easier targets.
Children who are developmentally or physically disabled are at greater risk since they would be less able to explain what happened to them or to stop abusive acts. Deaf and hard-of-hearing children are two to three times more likely to be sexually abused than their hearing peers. Deaf females reported sexual abuse more than twice as often as hearing females and deaf males more than three times as often as hearing males. The abuse of deaf children also tended to be more serious and less likely to be reported to parents, teachers or authorities. Risk for these children increases as their number caregivers increases.
Zabin, A.(2013). Conversations With A Pedophile: In the Interest of Our Children. Barricade Books, New Jersey. 
Salter, A. (2003). Predators: Pedophiles, Rapists, and Other Sex Offenders – Who They Are, How They Operate, and How We Can Protect Ourselves and Our Children. Basic Books. New York.
Poole, D. A., & Wolfe, M. A. (2009). Normative sexual and nonsexual behaviors that may be confused with symptoms of sexual abuse. The evaluation of child sexual abuse allegations: A comprehensive guide to assessment and testimony, 101-128.
FQ: Are there any precautions children can take to protect themselves? If so, what are they, and how can parents and schools teach them?
STOPLER: Both parents and teachers share the responsibility to protect children and reduce the opportunities for child sexual abuse. Here are some things we can do. When a child is enrolled for individual lessons, whether it’s for piano, acting or singing, sports coaching or tutoring, let the instructor know that you are serious about protecting your child from sexually inappropriate behaviors as you know they are. Ask what their policies are around keeping doors open and allowing parents to drop in. When you leave your child with a new babysitter, come home earlier without warning and be sure to ask your child how time together was spent. Observe any changes in your child’s mood or behavior.
The Enough Abuse Campaign recommends for parents to begin talking to their child about personal space and privacy by age three. Parents should only allow those they trust to provide personal care for their child. Encourage your child to become independent in their personal self-care. Parents should introduce the concepts of “OK touch” and “Not OK touch,” rather than “good touch” and “bad touch” which can be more confusing to the child. Parents should discourage co-bathing with siblings once children begin elementary school. Parents should also teach their children to respect adults’ and siblings’ privacy by knocking on closed doors before entering.
Parents should teach their children that the actual names for what some people call ‘private parts’ are penis, vagina, breasts, and buttocks. When we purposely avoid mentioning private body parts, we send our children the message that these parts are not to be spoken about and mentioning them makes us uncomfortable. This is exactly what the perpetrators want because it increases the likelihood that the child won’t tell.
Parents should tell their children, “Nobody should be touching your penis, vagina, breasts, and buttocks.” “Sometimes grown-ups need to help children wash or wipe these body parts, but that’s not the same as playing with them.” “Sometimes doctors or nurses examine these body parts to make sure they’re okay.” “It should never be a secret.” “Grown-ups and older children never need help from children with their private parts.” “If any grown-up or older child should ask for this kind of help, or if any grown-up or older child shows you their private parts or pictures of private parts, please tell me, even if it’s someone in our family or someone we know. That would be a brave thing to do. I promise I will listen and I will not be angry.”
Parents teach your child that it is important not to cross another child’s body boundaries and touch their private parts. Clothing stays on when playing with friends. Tell them “The only time you take your clothes off is when you take a bath, get undressed for bed, get ready for swimming and when you go the doctor for a check-up.”
Children with a strong sense of self-esteem and who are confident and assertive may be less likely to be targeted by a sexual offender and children who learn about personal safety are 6-7 times more likely to develop protective behaviors, talk more openly about abuse and experience less self-blame.
FQ: What should a parent or adult do if a child discloses to them? 
STOPLER: If a child discloses to you, remain calm. Responding in an upset way may make the child feel badly that he or she told and could make them stop sharing information or even recant. Be sure to tell the child: “Thank you for sharing” “It’s not your fault.” “You’re brave to tell me.” Make sure there’s a plan for safety so the child will not be left vulnerable to the alleged abuser's actions if they learn or suspect the child has disclosed. Communication is a very important part of preventing the perpetration of child sexual abuse. If you are concerned about an adult’s inappropriate behavior around children, you can call your local child protective services office for support and advice on how to deal with the situation.  If you are concerned that a child may be being abused, you must immediately report them to child protective services and/or the police.
Visit www.enoughabuse.org and  www.stopitnow.org for more info and resources.
FQ: What are some of the lessons you’ve learned from both writing The Ropes That Bind and working on The Enough Abuse Campaign?
STOPLER: First, child sexual abuse is one of the most underreported crimes—it’s a silent epidemic.
Second, although “Stranger Danger” exists (as portrayed in The Ropes That Bind), sexual abuse is usually committed by someone the child and family knows and trusts. Most people who sexually abuse children do not look or act differently from the norm. They are part of our communities, circle of friends, and yes, even members of our families.
And finally, children rarely make up accusations of sexual abuse. Do children lie? Absolutely. They lie that it isn’t happening. It’s far more common for children to minimize or deny the extent of abuse they have experienced. Children will often test the waters by disclosing lesser offenses to see if the parent/adult will respond with belief and support or react with disbelief and anger. And just because a child recants their story doesn’t mean that it didn’t happen. Experts say that recanting is common and should be considered part of the disclosure process rather than an indication that the abuse did not occur.
REVIEW:

Wednesday, October 30, 2019

Meet Author Daniel V. Meier, Jr.


Just added to our Meet the Authors section

Meet Author Daniel V. Meier, Jr.

Learn about his book, The Dung Beetles of Liberia, what prompted him to write it, read reviews, and learn where you can purchase his book.



#BooReview - The Tall Tree

The Tall Tree

By: Joseph O'Donnell
Illustrated by: Kasidy Sinteral Scott and Kestrel Erickson
Publisher: Outskirts Press
Publication Date: September 2019
ISBN: 978-1977211842
Reviewed by: Holly Connors
Review Date: October 30, 2019 
A woodland adventure that takes place in, and around, a beautiful tall tree, is a treat for children who will anxiously follow along to learn the fate of a missing mouse.
Deep in a forest stood a lovely tree. But the tree wasn't just beautiful to behold, it was also the tallest tree in the forest. Many woodland creatures called the tree home. At the very top lived a family of birds. Papa and Mama Bird worked hard to feed their six little babies. Below them lived a busy family of squirrels, as well as a family of chipmunks and at the bottom of the tree, on the ground, was a family of rabbits. The tree was crowded but all the residents were content. While they were all different, they played together and helped each other when needed. In fact, they were one big, happy family.
One day, two little mice showed up - brothers Sammy and Benny. Seeing how happy everyone in the tree was, the mice asked Papa Bird if they could move into the tree. Papa Bird was thrilled to welcome the mice to the tree and soon Sammy and Benny were considered part of the big, happy family. All was well until Sammy, who loved to explore, wandered away from the tree. Hours later he realized he could no longer see the tall tree - he was lost. Would Sammy be able to find his way home? Or would his friends in the tree be able to find him? What would happen...
The Tall Tree is a delightful story that shows what can happen when people, or in this case, cute little animals, come together to help each other. Seasoned mystery author JP O'Donnell (the "Gallagher" mystery series) has struck gold with his first venture into the world of children's books. The story moved along quickly with enough action to keep little readers engaged. And speaking of holding the interest of readers, the illustrations will also keep readers' attention. They are wonderful - vibrant and adorable. The animals come to life through their expressive eyes and cute expressions and beautifully move the story along. This is a book that your children will want to read every night at bedtime for a very long time!
Quill says: The Tall Tree is an adorable story that is beautifully illustrated. Children will love following along with the adventures of all the creatures who live in the tree while also learning that everyone, no matter how different, has something valuable to contribute to every adventure. 
For more information on The Tall Tree, please visit the author's website at: jpodonnell.com

#AuthorInterview with Steven M. Moore

Today, Feathered Quill reviewer Barbara Bamberger Scott is talking with Steven M. Moore, author of Son of Thunder (Esther Brookstone Art Detective).
FQ: Can you say a bit about making your central characters – Esther and Bastiann – seniors, retired or on the verge of, and, in the case of Esther, a three-time widow?
MOORE: The first book in the Art Detective series, Rembrandt’s Angel, was dedicated to Agatha Christie and her two sleuths, Miss Marple and Hercule Poirot. I’d always wondered how they’d play together in a single mystery (now two). While Esther Brookstone is perhaps a younger and hyperactive Miss Marple and Bastiann van Coevorden only looks like the actor that often played Poirot, wags at Scotland Yard used Christie’s characters to nickname the pair.
Esther is debating retirement in Rembrandt’s Angel and is retired in Son of Thunder. She’s still an energetic widow, though, and manages to get into trouble. She wants to spend more time with Bastiann, and he feels the same way. I left unresolved whether he’ll retire from Interpol, but he might be tempted now because I put him through a lot more than just trying to keep Esther on the straight and narrow.
Each of Esther’s first marriages were followed by the death of her husbands—bad luck for this grande dame who belies the Miss Marple nickname. Obviously this creates some doubts about making her relationship with Bastiann more permanent. On the other hand, Bastiann has never been married and was set in his ways until Esther expanded his horizons. Fate brought them together.
I wanted this romantic element in the prose to show that seniors can fall in love too. One motivation for the second book was to continue their romance. In the vapors of my creative mind, I’m thinking of a future murder mystery where the duo solves yet another crime on their honeymoon!
FQ: Are any of your own religious views reflected in your examination of John, Peter, and the two Marys?
MOORE: As I state in my end notes, I hope no one’s faith is shaken by the religious aspects of the book. In fact, the main twenty-first century characters have different opinions about religion, from Father Jean’s academic piety to Bruno’s violent agnosticism.
That said, I always wondered about John’s life after Christ’s Crucifixion. There are indications he lived for a long time, especially if he was truly the author of the Book of Revelation. I imagined a missionary life for him, carrying on Christ’s work in more of a clandestine fashion—historical fiction for the most part, but with danger and suspense added because of the Romans’ persecution of early Christians.
More to the point of your question, the views in the book come from many sources, in particular other gospels not included in the Bible. I’ve always been fascinated by religious history, and that includes Catholic history. My personal beliefs really didn’t influence me as much as chats with Jesuits and professors of comparative religion both here in the US and abroad over many years.
FQ: With which of the large cast of characters do you personally most identify?
MOORE: My answer might surprise you. I’d probably identify myself more with Father Jean, a priest/historian who serves as mentor and guide for the younger Bastiann van Coevorden. His discussion with Bastiann reflects some of the dialogue I’ve had with myself and others during my lifetime.
FQ: Have you traveled to any of the many countries/sites mentioned in the book?
MOORE: With Google maps and internet references, it’s very difficult nowadays to know whether an author has visited one of the settings in her or his books. But the answer is the same as for the first book in the series: yes, I’ve visited many of the countries used for settings. I traveled extensively as a scientist and just returned from a trip to Europe where I revisited Vienna, a setting used in the book. And I was like Bastiann years ago using those chains for support against la borra to make my way down to Triete’s harbor, for example—sans Bruno interrupting my reverie, of course. (Abdus Salam’s International Centre of Theoretical Physics is in Trieste.) I’ve never been to Turkey (Ephesus), though. I had to use some creative license there and research that too, as I did for a few other historical settings in the novel.
FQ: How do your unique book ideas usually develop?
MOORE: In the case of Son of Thunder, I’ve always had an interest in St. John and wanted to write something about him and his life about which so little is known. That’s a great opportunity for historical fiction. After Rembrandt’s Angel, Esther Brookstone seemed to be the logical one to help fill in the details.
In general, I’ve collected story ideas all my life, often in the form of what-ifs. For example, what if Miss Marple and Hercule Poirot teamed up to solve a mystery? (Esther and Bastiann were surrogates who answered that question, probably not in a way that Dame Agatha could have imagined.) What if the Magdalene and John were a missionary team that worked to convert the Roman Empire to Christianity? (I figured something like that had to go on.)
Collecting what-ifs, plot ideas, dialogue snippets, character descriptions, and possible settings has been a lifetime activity. Finding the time to use them is a challenge!
FQ: You state that this book is a “departure” for you - what elements drew you to this divergence?
MOORE: The departure is mostly in adding a religious context to the standard mystery/thriller genre—that’s not exactly original, but it was a departure for me personally. The other aspect is writing three parallel story lines, each taking place at different times in world history, and then bringing it all together. That required a lot of research, more so than in any previous book of mine (they all require some research, of course). The result is a work that differs greatly from other books in my oeuvre.
FQ: Son of Thunder is ultimately optimistic although many dark threads run through it. Is that what you originally planned, or did the story just grow on its own?
MOORE: Each story “just grows on its own.” In technical writing jargon, I’m a pantser. I never make an outline, so each story grows organically—hopefully like flowers and not weeds! Many of my mystery, thriller, and sci-fi books contain dark threads, but I always try to end on a note of optimism. For example, the novel published before Son of ThunderThe Last Humans, is a post-apocalyptic thriller, about as dark as it can be in spots, but the survivors make a new life for themselves.
FQ: Do you have more plans for Esther and Bastiann?
MOORE: I mentioned one idea above: their solving a crime on their honeymoon. We’ll see how that goes. After all I put them through, they deserve a bit of rest, though, but a trilogy is certainly possible. The Nile is 4132 miles long, while the Danube is only 1771 miles. The latter is still long enough for Esther to find trouble as Poirot did on the Nile.
FQ: I imagine a lot of research went into the writing of this book.  Do you find the research aspect of writing historical fiction exciting or just a necessary part of the job of accurate writing?
MOORE: I’ll confess I learned a lot more about St. John and Sandro Botticelli in my research for this book—that was exciting. I owe a lot to Isaacson’s masterful biography Leonardo da Vinci in describing the Florentine Renaissance scene. I delved into the non-canonical gospels as they were discovered. I find background material for my books in many sources.
Most of my fiction requires some research, and that often just means getting the facts right. In the case of Son of Thunder, I wanted to be super careful and not buy into any hoaxes. For that reason, and not so much that it’s historical fiction (which only complicates the job), it’s the book I’ve researched the most. Esther and Bastiann often question what is historical fact and what is legend, as does Sandro, all for the same reason—to express doubts about what is fact and what is legend.
FQ: You had a career in academia and scientific R&D - is that where you developed your obvious expertise of conducting extensive research to create vivid historical periods/scenes?
MOORE: In physics and other sciences, a laboratory can confirm theoretical conjectures. In history, archaeology, and so forth, humanity’s existence on Earth provides the laboratory where the resulting data is often full of gaps and sometimes is lost and must be rediscovered. The scientific method still applies, although time scales are often extended.
I’ve always been interested in history but firm in my belief that historical theories should be checked as much as any scientific theory. Who knows? New historical research might prove some of the fictional account in Son of Thunder completely incorrect, requiring an added note in the end material of the book in the future. Historical fiction writers must, by necessity, fill in the gaps in historical knowledge.


#BookReview - The Ropes That Bind

The Ropes That Bind: Based on a True Story of Child Sexual Abuse

By: Tracy Stopler
Publisher: CreateSpace
Publication Date: August 2016
ISBN: 978-1533381118
Reviewed by: Skyler Boudreau
Review Date: October 27, 2019
In The Ropes That Bind, author Tracy Stopler tells the story of Tali Stark, following her from childhood into adulthood. At nine years old, Tali is abducted and sexually assaulted by a stranger on her way to school. Miraculously, she is released hours later. However, Tali carries the lingering trauma of this event with her for decades. The Ropes That Bind explores Tali’s experiences as a survivor long after her abduction and assault, guiding both her and the reader through a difficult and inspiring recovery process.
The Ropes That Bind makes two important observations very early on. The first is that trauma doesn’t simply go away because the event causing it is over. Tali carries the memory of it with her throughout her life. It haunts her in nightmares and flashbacks, completely altering the way she might have lived her life otherwise. The second observation is that healing doesn’t happen in a day. It can be messy and it’s never a straight and easy path, something that author Tracy Stopler writes about without flinching. Readers journey with Tali as she stumbles into a healing process of her own, searching for one that’s right for her. The book is full of lessons like these and while it could certainly be beneficial to other survivors, it’s also something that people who have never experienced this kind of trauma will be able to learn from. It’s a powerful story of healing.
While the messages Stopler delivers in her novel are undeniably positive, there are several negative aspects that stand out in sharp contrast. The book is written less like a novel and more like a summary of a novel. This is an issue that comes from trying to load too much into one relatively short book. Rather than a story, The Ropes That Bind reads more like a list of barely related events. As readers follow Tali from childhood to mid-life; her story is a combination of vague explanations of pivotal events and other painstakingly detailed scenes that add very little to the story. These scenes are never tied together into a single cohesive story.
The novel also lacks a sense of time and place. Sometimes years will pass in a page or two without warning, and other times a single scene with little significance to the story will drag on for an entire chapter. Often the story will continue as if moving in a regular, linear fashion, only for a character to suddenly say that anywhere from two years to ten have passed. The audience is constantly pulled out of the story to accommodate these unexplained time skips.
The Ropes That Bind is a novel clearly written with the best of intentions. The author knows what she’s talking about when she discusses what goes into healing from a traumatic event. On the other side of that coin, the information is not portrayed in a way suitable to fiction, woven into the narrative. Instead, it is given to the audience in massive chunks all at once.
Quill says: Author Tracy Stopler makes her best effort to portray a long and arduous post-trauma healing process. 
For more information on The Ropes That Bind: Based on a True Story of Child Sexual Abuse, please visit the book's website at: www.TheRopesThatBind.com

#BookReview - Vanishing in the Haight

Vanishing in the Haight (A Colleen Hayes Mystery)
By: Max Tomlinson
Publisher: Oceanview Publishing
Publication Date: August 2019
ISBN: 978-1608093410
Reviewed by: Gina Montanha
Review Date: October 30, 2019
It was The Summer of Love in 1967, on the dark, foggy streets of San Francisco. Eighteen-year-old Margaret Copeland, stumbling around alone while tripping on LSD, decided it was time to straighten her life out and go home to her estranged family. But while she tries to focus on locating a pay phone to call home, an ominous young man in a green Ford Falcon entices her into his car and she meets her dark fate that night, instead of beginning her journey home. 
Eleven years later, Margaret’s father, Edward Copeland, is nearing the end of his battle with terminal lung cancer and as his last dying wish, he wants to see Margaret’s unsolved murder solved and her unknown murderer brought to justice. He hires a young private investigator, Colleen Hayes, to re-examine the cold case. Colleen, who is on probation for committing a crime of her own, is working as a security guard for an abandoned old warehouse. The warehouse doubles as her home while she tries to get her life back on track after serving nine years in prison. Mr. Copeland’s lawyer convinces Colleen to take the job, after she realizes she has nothing to lose and desperately needs the generous compensation they are offering. 
While juggling her obnoxious parole officer, an estranged daughter of her own and the dead girl’s handful of a sister Alexandra, Colleen still manages to piece together a puzzle that the authorities seemed uninterested in pursuing in 1967. When she discovers homicide detectives and a local, powerful politician were somehow involved in a cover up and secret affairs, things get dangerous for Colleen. Yet she persists and pursues every little detail of the murder, hoping to find something that was missed. Will an old roommate, a conscientious maintenance man and mysterious fragments found in the victim’s stomach be enough for Colleen to solve this eleven year old mystery? You’ll have to race to the end to find out! This book kept me up late a few nights, wanting to read just one more chapter. It is very well-written and has deep, well-developed characters. And just when I thought I had it all figured out, some last minute plot twists had me stunned...and yearning to read the next book!
Quill says: Vanishing In The Haight is tantalizing and engaging, the kind of book that is very hard to put down. This one is highly recommended for all lovers of a truly chilling murder mystery.