Tuesday, November 29, 2022
#BookReview - Mind the Gap by Thomas Maurstad
#BookReview of Shogun of the Heavens: The Fall of Immortals, Book One
#AuthorInterview with W. Tod Newman, author of The Eyes of Gehazi
Today, Feathered Quill reviewer Risah Salazar is talking with W. Tod Newman, author of The Eyes of Gehazi.
FQ: This is a very unique story - where did you get the idea/inspiration to write it?
NEWMAN: I remember reading about this person named Gehazi who had all of these things that his culture valued: a decent and very respectable job, a motivating mission, and close connection with powerful people. Yet still, when faced with a hard choice, he fell flat on his face and suffered what seems a pretty disproportionate punishment. It made me wonder why this had happened and I felt like I needed to tell his story.
The magical realism element comes from my love of the work of Garcia-Marques and Borges and the way they infuse wonder into their gritty realism in a way that their characters simply take for granted. This type of writing seemed very relevant for a story about a man who lived in a desert and worked for a Prophet six hundred or so years before the time of Christ, so I took it on.
FQ: The story is listed as historical fiction. How much of the story/events based on real events?
NEWMAN: Gehazi’s story is captured in a few different places in the Hebrew books of the Prophets (aka, the Old Testament) but it is clearly told out of order and there are lots of gaps. I spent a lot of time trying to put the snippets of history in chronological time so that I tell Gehazi’s story more completely. This allowed me to determine where in the timeline of the prophet Elisha this man Gehazi had been present. Some of this helped uncover likely motivations that led to Gehazi’s eventual fall.
FQ: Why do you think some people choose to have faith to a higher power, while some choose to create their own fate?
NEWMAN: This is a challenging question, because it’s pretty hard to get inside peoples’ heads to determine why and how their belief structures have been formed. I’m happy to give it a shot and you can see what you think! In Bayesian logic, belief is developed through the evaluation of evidence where a weaker “prior” belief is improved through evidence into a stronger “posterior” belief. Of course, this works great for machines, but people are more complex. Sometimes the strength of the evidence is exaggerated and other times, evidence that would change a prior belief is ignored. I think politics is my best example of this effect. When the choice to believe or not has more of a metaphysical edge, though, I think that the decision might be most impacted by the private state of the human at the time.
FQ: In line with the previous question, do you have a message to those two different groups of people?
NEWMAN: Not really, but I suppose that never updating one’s belief upon better evidence or never searching for better evidence is probably going to have negative impacts. Remember that the Greeks considered the Fates to actually be a higher power. Some people today associate the idea of “fate” with something more like random chance, but I don’t really think that is what people at their deepest core are truly able to believe.
FQ: Who was your intended audience for this novel and what do you hope for them to take away from reading The Eyes of Gehazi?
NEWMAN: I think that maybe I wasn’t writing for an audience when I wrote this book. I really just love telling stories about characters who struggle with decisions and their own liabilities. Because of this, Gehazi became really interesting to me. I would hope that some would find value in the book, though. I certainly think that there are people who could be positively challenged by Gehazi’s growing understanding of the darkness in his self-centered approach to life and who therefore might be able to see a personal path out of that sad world.
FQ: Could you describe your spiritual and personal relationship to your God? Are you religious?
NEWMAN: I have heard a number of trite and disappointing answers to this and I’ll try to avoid them because they’re all too small for the question. In the Christian Bible, Peter says to always be ready to share the reason for your hope. I do experience hope from my belief in a personal God who loves and is interested in humanity. In the same vein, I have been heavily influenced by writers like C.S. Lewis and George MacDonald, who often described themselves as reluctantly religious but compelled to invest their writings with images and metaphors describing a God who cares. Like them, I would hope to not be seen as a “Religous Author.” Religion, to me, describes a culture created by humans around their beliefs, and as such, is sometimes disturbing and other times is beautiful. I also believe, and I often infer in my writing, that to some degree, absolute truth exists and can be known.
FQ: Has there been a miraculous time in your life that you’d like to share?
NEWMAN: Can I get away with saying that life itself is a beautiful miracle? I don’t have any personal magical realism moments like we see in Gehazi’s story, but I truly love reading these kinds of books because they make the point about what we have lost by separating the magical and miraculous from our common experiences.
FQ: I see that you’re publishing the book a few chapters at a time/per week on your website. Why take this tactic? Do you believe it will allow more people to discover your writing? Is it a way to “spread the faith” so to speak?
NEWMAN: I suppose I don’t mind going against the grain. I love the idea that much of what we consider classics were published serially. Obviously podcasts and Netflix series have shown that humans love the tension of serial publication. I have no idea at all if this will help more people find my books, but I sure hope it will. It seems to me that there are elements in Gehazi’s story that could be compelling and useful to some people who are struggling.
FQ: One of the things you discuss on your website is the importance of research. What suggestions would you give a new author starting out on a similar project? Did your research needs ever become overwhelming?
NEWMAN: Yes, I think I’m fortunate that I love the research. I met James Michener once and the importance he placed on research was extremely challenging to me! I suspect I will never be able to approach his greatness in this area, but I find that I’m not satisfied if there are inconsistencies in my understanding of a setting or subject. This keeps me focused on getting details right.
Perhaps some of the best advice I could give a new author is to do their due diligence on research, but don’t ever assume that it will be completely done. Start writing before you think you’re fully done with your research or you may never start!
FQ: Your first several books were about pirate adventures and while they did emphasize “faith, trust, humility,” they were in a different genre. Do you see yourself returning to books in the “Pirate series” style or more historical fiction books such as The Eyes of Gehazi?
NEWMAN: The Pirate books came about by accident, and the story is fun. I had been writing for years, but had always failed to finish. Either the characters got annoying or my confidence in my knowledge of the setting began to be unconvincing to me and I would stop the book. I bet this is a common story.
The Pirate books started with bedtime stories, as one might easily be able to tell. My son, Zach, struggled more than most little boys with making good decisions, so every night he would hear stories about “the good Pirate Zach” who faced the same kinds of decisions, struggled through them, and overcame. Eventually, I realized that I needed to organize and capture the stories. The books began to be less about bedtime stories for young kids than they were telling powerful stories to older children. I compiled them into a single volume years ago. Reading the trilogy takes a reader through the ages of a child’s life in the few hours it would take to finish.
I don’t anticipate returning to these kinds of tales, but I continue to be interested in the combination of Old Testament historical fiction combined with magical realism. I’m currently working on a book that I’m calling The Prophet and the Queenthat explores the Prophet Jeremiah and his battles against the deity, Ishtar, who was in his day known as The Queen of Heaven.
#BookReview - The Eyes of Gehazi by W. Tod Newman
Sunday, November 27, 2022
#BookReview - Connecting the Stars by Deborah Stevenson
#BookReview of FitzDuncan's Gambit (The FitzDuncan Series Book 5)
Tuesday, November 22, 2022
#AuthorInterview with Regina McLemore, Author of Cherokee Steel
Today, Feathered Quill reviewer Diane Lunsford is talking with Regina McLemore, author of Cherokee Steel (Cherokee Passages, Book 3).
FQ: Thank you for the opportunity to chat with you today. I was interested in your biography in that your books began being published in 2020, but your first magazine article was published in 2011. How challenging was it to transition from writing articles to developing a book?
McLEMORE: It wasn’t that difficult because I have always written poetry and short stories as well as nonfiction articles.
FQ: In line with my previous question, I was shocked to learn you worked on your first book for twenty-five years before it was published. I completely related to your explanation in that you were working full time and would find those coveted moments in time to ‘get back to it’ and continue with the story. Was there ever a time after you set it aside reconnected that it was difficult to reconnect? When you found the flow again, did the story take a completely new turn and write for you?
McLEMORE: It was always on the back burner of my mind, and I knew that I wouldn’t give up on my dream. At one point I thought I had finished it and sent out query letters, but nothing came of them. After I retired, I took another look at it and realized that Amelia needed a back story to show how she had become the person she was. That’s when the book obtained a new beginning and a new direction. When I finally connected with a publisher and editors, they helped me realize that I was trying to cover too large a time span in one book and should divide it into multiple books. My writing improved because I learned to narrow my focus and add more details.
FQ: I have an inherent love in reading books about Native American history and culture. I’ve read several works about the Sioux Nation, but am not as familiar with Cherokee cultures and history. After reading Cherokee Steel, it provided a sense of honor, pride and tradition this nation of people embrace. What resonates most with you in the Cherokee culture and why?
McLEMORE: The Cherokees have always been fighters and survivors. They fought hard to stay in their own country but lost the battle. They fought against mistreatment, the weather, sickness, hunger, and other afflictions before and after the Trail of Tears. Some of them lost that battle to Death, but those who survived effectively reconstructed their homeland in a strange, new land. Even when their nation was taken away through statehood, they never gave up their dream of sovereignty. I feel a strong connection because my Cherokee ancestors survived the Trail of Tears, the Civil War, and many other hardships while struggling to retain their tribal and cultural identity.
FQ: Back to your bio, you stated you were a full-time teacher/librarian. What subject(s) did you teach and what is one of your most memorable teaching moments?
McLEMORE: I mainly taught language arts; although I have been called on to teach American history and general science for a couple of years.
I once had a student tell me that “I will probably fail English in your class like I did last year.” I discovered that he was a good writer, and I encouraged him all I could. He turned in to an “A” student, and when he was older, he told younger students to “be nice to her because she is a good teacher.”
I always loved sharing my love of reading both as a teacher and as a librarian.
FQ: Congratulations on your Will Rogers Medallion Award. What did the process entail in submitting for the award and did you have a strong sense going into the opportunity you would win?
McLEMORE: My editor told me that my first book would qualify for the award because it was basically a western. He submitted it to the committee and said I should attend the awards ceremony that would be held later that year in Texas. I had high hopes that I would win first place, which would have been a gold medal, but I was still happy that I won a copper medallion for fourth place.
FQ: In line with my previous question, what was your reaction when you won and have you submitted for other awards since?
McLEMORE: I was both happy and slightly disappointed. I have won several awards in writing contests I have entered, with the latest being awards in the Ozark Writers Conference in October 2022. I am currently preparing to submit Cherokee Steel for a major state reading award.
FQ: I believe we are living in epic times...If you had to write a book about one of the current affairs that affects our nation today, what would the topic be and why would you choose this topic as your subject matter?
McLEMORE: I would write about the negative effect of technology on childhood development. I believe that children are losing their ability to use their imaginations and develop social connections because they are tied to screens at an early age.
FQ: I was thrilled to learn you were a librarian as well. With technology today, do you think libraries will eventually be ‘obsolete’ and our great grandchildren will have to rely on our stories to explain why they were (and are) so important?
McLEMORE: I don’t believe libraries will ever be obsolete, but they will have to adapt to the changing times. Audio books are becoming more and more popular. Attention spans have shortened so that a good story teller will have to be creative to catch and keep their listeners’ attention. We must make a determined effort to tell our stories to our children and grandchildren, even if they don’t seem interested. Like one of my students told me when she was an adult, “You thought I wasn’t listening, but I was.”
FQ: Reading truly is fundamental and the adventure of diving in and traveling across the pages and turning them, one-by-one also seems to be a lost art in a sense. Do you prefer to hold a book and engage in the art of turning the pages (or is your preference a reading tablet)? Please elaborate.
McLEMORE: Although I still hold and read a book occasionally and certainly scan a lot of books in research, I find myself turning to my reading tablet to read for entertainment. I have developed a habit of taking my tablet to bed with me at night and reading until I nod off. It’s also great that I can adjust the font to the size that I need at this time of my life.
FQ: There was an exchange between Granny and Bonita where Granny was giving Bonita a hard dose of reality: "...Oh, Granny, not ever’ body drinks. I never heard of Clay Stone or his Pa or his Grandpa bein’ drunk. Then there’s the preacher and his family." "And that’s why the Stones have somethin’ right now because they’re not drinkers. But how about that Ross Stone? He’s goin’ to deal his folks some misery someday because of his drinkin’. And that Michael has always been one to womanize, but his wife holds her head high like nothin’s wrong. ‘Course the Preacher and his have religion, and that’s been the savin’ of them, and I was hopin’ it might save Anderson, too, but I guess he’s just too weak to hold out when the temptation comes. But back to Ameilia Stone..." Essentially Granny was telling it like she saw it. How much of ‘Granny’ runs through your veins?
McLEMORE: “Granny” is based on stories my mother told me about her outspoken grandma who raised her when her mother died. I never got to meet Granny, but I know her because my mother painted such a vivid picture of her. I am sure that I have quite a bit of Granny in my veins and in my DNA.
FQ: Thank you for your time today. It’s been a joy to read Cherokee Steel and I look forward to your next title. Are you able to share a little about your next book?
McLEMORE: My next book is a nonfiction history book about the Cherokee Nation, beginning before the Trail of Tears and ending near the end of the Civil War. I am working to ensure that it is not just a book of dry facts but will focus on the people and events that have shaped what the Cherokee Nation is today. I have always believed that history is the story of the people who made it, and that is what I want to write.