#Authorinterview with Susan Marie Chapman

Today, Feathered Quill reviewer Shrubaboti Bose is talking with Susan Marie Chapman, author of Growing Up Is Hard To Do Part 1 (A Grumpy the Iguana and Green Parrot Adventure).

FQ: Could you tell us a little about yourself, your background, hobbies and what drives you to write?

CHAPMAN: I was born and grew up in Pennsylvania. When I was twelve years old, my parents moved from the Philadelphia area which is a big city to a farm in rural Pennsylvania. It was there that I learned all about nature and animals that I would have never experienced in the city. We planted a huge garden every year and we planted each seed by hand. To give an example, we had over two hundred tomato plants, rows of corn, lima and string beans. We had cabbage, watermelon, cantaloupe and potatoes and lettuce. This garden was two acres wide. We also had animals, dogs, cats, over one hundred chickens, turkeys, pigs and geese. After we harvested all the fruits and vegetables, we canned them and stored them in our dry cellar for winter. I loved being around my neighbor’s horses and cows. It was fascinating to witness a birth or ride horses bareback through the fields or catch fireflies at night.

Being the oldest of eight children, I was always teaching my younger siblings things like when our momma cats gave birth and my brothers and sisters wanted to watch and to help. Children are like sponges, they soak up everything. So why not teach them something new while telling them a story.

FQ: In the series Growing Up Is Hard To Do, readers are introduced to several different characters, each with their own personalities and perspectives. How did you develop these characters, and was there a particular character or idea that came to you first?

CHAPMAN: Growing Up Is Hard To Do Part 1 and 2 (books 10 & 11) are part of a 17 book series called Grumpy the Iguana and Green Parrot Adventure series. Each character, starting with Grumpy and Green Parrot, are introduced into the series with their own book. These animals live in Flamingo Park in Miami, Florida until Grumpy and Green Parrot move to Naples, Florida. It is here that they meet the pelicans, grandpa and his grandson, the littlest pelican.

The series began with the Grumpy The Iguana book. This book is based on true events and I wrote the story in twenty minutes while walking home from Flamingo Park. I was very inspired by this iguana that lived in the park.

FQ: What motivated you to choose the themes of growing up, friendship, individuality and belonging as the core point of these books?

CHAPMAN: I think that most children want to fit in or blend in. They do not want to be singled out and called names because they are different. As children grow and become more confident, they do like to be unique and special. Self confidence comes from your parents encouraging you to be yourself and follow your dreams. It is in this frame of mind that you will find others that desire the same. You might call them your soul tribe because they feed your soul with positivity.

FQ: When you began writing the first book, did you already have ideas for the larger series and the kinds of adventures that the characters would experience together?

CHAPMAN: When I wrote the first book in the series, Grumpy the Iguana, I had no idea that this would become a series. I was just inspired by an iguana that I would see every time I visited the park. It was very organic and I never thought about more books. I actually thought this would be a one only book.

FQ: Baby’s mother tells her that being different can be a good thing and that she will eventually find her “soul tribe.” What do you hope young readers take away from Baby’s experience of feeling different and learning to appreciate who she is?

CHAPMAN: Being a child is tough. You want to be accepted but it does not always happen and it can be a painful experience. But you can not give up hope that you will find others that appreciate you for you. Every child is special and carries a special gift. It is in the journey of life that you discover exactly what that gift is. Some discover their gift early on while others might take a lifetime to figure it out like me. I did not become a writer until I was sixty years old. Now I cannot stop the books that are pouring out of me.

FQ: All the characters come from different parts of the animal world. What possibilities do you see in bringing them together, particularly when developing their friendships and individual personalities across the series?

CHAPMAN: Each animal, Grumpy the Iguana, Green Parrot, Mr. Squirrel, Little Mouse, the Screech Owl family, Grandpa Pelican and the Littlest Pelican, has a story and they all work together to help one another, even the sea animals, Mr. Sea Turtle and Baby the Manatee.

FQ: The book combines storytelling with information about manatees, including their behavior, eating habits, physical characteristics and their relationship with the environment. Why did you incorporate these educational elements into the story?

CHAPMAN: Children love to learn new things but it is much easier to learn if it is woven into an adventure. Then it does not feel like a lesson, it feels fun.

FQ: I’m sure you have been asked this question a lot, but could you share what inspired you to become a children’s author? What advice would you have for someone considering venturing into the art of writing stories for children?

CHAPMAN: I never really knew what I wanted to be when I grew up. I always loved reading and read every classic novel by the age of twelve. I read Jane Eyre, Gone With The Wind, Pride And Prejudice, all of Charles Dickens' novels, Vanity Fair, Wuthering Heights, etc. Later, I loved the Nancy Drew, Cherry Ames and The Hardy Boys series.

In sixth grade, I wrote a short story that was published in a Children’s Readers Digest magazine with the help of my English teacher. I still carry the award with me to this day, fifty years later. It is a small medal with an inscription of excellence. Teachers can be so inspiring and a great teacher can make a world of difference in a child’s life.

My father discouraged all of his eight children away from the arts, although he himself majored in English in college. I graduated from college with an Associates degree in Business and a Bachelors degree in Economics.

It was not until after I married, raised my two children, got divorced and moved to Florida, that I started to write. When other matters take precedence in your life, you do not stop to think about yourself and what you want. I put everything and everyone before me but I have no regrets. I have lived a very full life and now I am doing something that I was meant to do, write! It is my passion and I get excited just thinking about the possibilities.

For more information about Growing Up Is Hard To Do Part 1 (A Grumpy the Iguana and Green Parrot Adventure), please visit the author's website at: susanmariechapman.com

 #Bookreview of Growing Up is Hard To Do Part 1 (A Grumpy the Iguana and Green Parrot Adventure)

By: Susan Marie Chapman

Illustrated by: Natalia Loseva

Publisher: Gourmet Dog LLC

Publication Date: September 15, 2022

ISBN: 978-1736805657

Reviewed by: Shrubaboti Bose

Review Date: September 25, 2026

Growing Up Is Hard To Do Part I (A Grumpy the Iguana and Green Parrot Adventure) by Susan Marie Chapman revolves around a young manatee named Baby, who lives with her mother in the warm waters of Florida.

As time passes, Baby notices that she is quite different from the animals around her and begins worrying about finding friends who will accept her the way she is. Her mother reassures her that being unique is not something to be afraid of, that it can be a strength. One day while swimming close to the marina, Baby comes across four small creatures having a picnic together. Although curious, the young manatee keeps a safe distance, watching them with only her head peeping out above the water’s surface. Suddenly, Little Mouse spots her in the water and soon, all four creatures: Grumpy the Iguana, Green Parrot, Mr. Squirrel, along with Little Mouse, start talking to Baby. The group becomes new friends.

The book is full of beautiful illustrations that support the narrative visually while also ensuring the story remains accessible to younger readers. Information is presented in a manner that is both easy to follow and remember. It is particularly interesting how the author balanced the fictional aspect of the story with the factual details about the manatees. The core message about accepting one’s individuality rather than blindly trying to fit in with the given norms of a society is conveyed with affection and simplicity. This combination of emotional reassurance and natural-world education give the story a dual purpose. It encourages self-acceptance, while simultaneously nurturing a curiosity about wildlife.

As readers, we are told that Baby worries about growing up, being different and making friends, but describing her actual struggles would have helped the narrative stand its ground more firmly. The resolution seems too easy and thus fails to bring due satisfaction. Introducing a slightly stronger obstacle could have contributed to the story’s momentum while still preserving its gentle tone.

Nevertheless, as a children’s book, this narrative gives coming-of-age stories a new direction by blending storytelling with an educational point of view. It also effectively captures the attention of young readers and provides a subtle invitation to continue discovering Baby’s journey. The valuable educational explanations that were woven throughout the story are additional bonuses that parents and caregivers will appreciate.

Quill says: Growing Up Is Hard To Do Part I (A Grumpy the Iguana and Green Parrot Adventure) is the first book in a series of adventures that focus on a young manatee and serves as a delightful treat for young readers.

For more information about Growing Up Is Hard To Do Part I (A Grumpy the Iguana and Green Parrot Adventure), please visit the author's website at: susanmariechapman.com

 #Authorinterview with Som Phin, author of Threads of Jasmine: When Jasmine Blooms at Midnight

Today, Feathered Quill reviewer Lily Andrews is talking with Som Phin, author of Threads of Jasmine: When Jasmine Blooms at Midnight.

FQ: Thida's connection to Cambodia comes through dreams. Why dreams?

PHIN: Dreams felt like the perfect space because they sit between memory and imagination. You can wake up knowing something felt completely real even though you can't prove it happened. For Thida, that gave me a way to let Cambodia enter her life gradually, until she has to question whether she's dreaming about another life or actually living one.

FQ: The Author's Note mentions Buddhist ideas of reincarnation and past-life traces. What drew you to that framework?

PHIN: I grew up Cambodian and Buddhist, so reincarnation was never a completely foreign idea to me. I was fascinated by the possibility that we might carry traces of other lives without consciously remembering them—through familiarity, emotion, skills, dreams, or that strange feeling that you've known someone before. The book takes that idea and asks what would happen if those traces became impossible to ignore.

FQ: What made you want to ground the romance in a period of real political tension rather than just keeping it purely personal?

PHIN: I love history, and when I write historical fiction I never want history to function as wallpaper. The world should shape what the characters are allowed to want, what they're afraid of, and what choices are available to them. The political tension also matters because readers know history keeps moving even while these characters are falling in love, which gives the romance another layer of urgency.

FQ: Both main characters have to make choices about what they're willing to leave behind. Was there a moment in the writing where you found yourself wrestling with that question personally?

PHIN: Definitely. I think that's a very diaspora question: what do you carry forward, what gets left behind, and how much can you reclaim without losing the life you've built now? I don't experience anything as dramatic as Thida does, obviously, but I understand that feeling of belonging to more than one world and sometimes wondering what part of yourself belongs where.

FQ: How important was humor to you—which is evident in the manuscript—in balancing the heavier material?

PHIN: Very important. I didn't want Thida to walk around contemplating reincarnation and generational grief for three hundred pages. She's still a young woman with a best friend, an opinionated grandmother, awkward romantic situations, and a sense of humor. The funny moments make the heavier ones feel more human to me, because that's usually how life works—we can be carrying something painful and still laugh five minutes later.

FQ: Thida thinks in spreadsheets, protocols, and evidence fields. How did you get inside that kind of mind? Did you borrow from your experience?

PHIN: Yes, probably more than I realized. 😂 My undergraduate background was in biology, and I also studied business later, so I'm very comfortable with organizing information, looking for patterns, and trying to make something measurable. I liked giving that mindset to Thida because it's almost the worst possible personality to give someone experiencing something completely unquantifiable. Her instinct is basically, “Okay, reincarnation is happening. Where's my spreadsheet?”

FQ: Are there any real family or personal stories/experiences that made their way into the book?

PHIN: Not in the sense that Thida or her family are direct versions of mine. But emotionally, absolutely. I come from a Cambodian refugee family, and I've spent a lot of my life thinking about what survives when families move across countries and generations—language, food, beliefs, stories, things our grandparents knew that we realize too late we should have asked about. A lot of that emotional truth made its way into the book even though the characters and story are fictional.

FQ: What do you hope readers universally take from this book?

PHIN: That love and memory can outlive the forms we expect them to take. The book is very Cambodian in its history and cultural details, but I think the emotional question is universal: what do we inherit from the people who came before us, and what do we choose to carry forward? I hope readers finish thinking about their own families and the questions they still have time to ask.

FQ: What can readers expect from you next?

PHIN: More Cambodian stories, definitely. I write across historical fiction, fantasy, romance, and diaspora fiction, but the common thread is usually Cambodian history and culture, identity, family, and the things people carry across generations. I have several books and series in that space, so readers who connect with Threads of Jasmine will have plenty more worlds to step into.

For more information about Threads of Jasmine, please visit the author's website at: somphin.com

#Bookreview of Threads of Jasmine: When Jasmine Blooms at Midnight 

By: Som Phin

Publication Date: January 22, 2026

ISBN: 979-8245212739

Reviewed by: Lily Andrews

Review Date: September 24, 2026

"A river. A house on stilts, old wood, very warm. Jasmine nearby. A child laughing... And a woman in a doorway. She was about to turn around. She never did."

In Threads of Jasmine: When Jasmine Blooms at Midnight by Som Phin, this is a dream that precedes Thida Sovann's move to Cambodia.

Thida hasn't packed a single box or booked a flight when she experiences this dream. Her plan is to work for a modeling agency in Phnom Penh as well as heritage foundation, all while reconnecting with her heritage. She doesn't give us an answer because she doesn't yet understand the question herself. And neither does the reader, until the dream starts to repeat itself not only to Thida, but also to a second person, a man she's never met, who is being pulled towards something neither of them can name.

Thida’s parents, who died when she was 16, grew up inside stories of what their families had survived. What they survived, however, is not explicitly stated at first, which means Thida is moving towards something she doesn't understand. It is, however, that withholding that keeps the dream open and the reader leaning in, nodding as they read the history, and turning the pages like a handle to a door that leads to something they can't quite distinguish yet.

Romance loves resolution. Two people meet, obstacles arise, obstacles are overcome, love wins. This book doesn't do that. It gives you ancestors, karma, inherited memory, and unfinished obligations. It doesn't tell you which one to apply as you try to solve its mystery. The novel seems to say "You don't get it. Not yet. You have to circle and lean in first." That refusal is a method and a craft decision that creates a shared experience between the reader and the characters. Presence is what drives its engine, not plot. And that's why you feel like the chapters end with a sense of emotional openness, rather than with a tidy resolution.

"What if love could reach across lifetimes… even when memory could not?"

That's the question the author plants in the heart of the reader at the end of the book. It reads less like a conclusion and more like a door left open. There is something about such a question, especially when it appears at the end of a story. By the time you reach the end, it feels like something that you sensed you were circling, only to discover that you arrived at a different answer altogether.

Quill says: Threads of Jasmine: When Jasmine Blooms at Midnight rings authentic, because its characters' emotions are consistently honest. It never allows the reader to become confused about where they are, even when the chapters start to feel like someone left the room mid-sentence and never came back. Most people have a version of Thida's question but no words for it. This book hands them the words and in so doing, turns a private ache into a shared language. Anyone who grew up in two worlds, yet feels as though she never fully belongs to either one will find this book theirs in a way few books are. Additionally, those who read for atmosphere and not necessarily for answers will love how this book's presence lingers like a friend.

For more information about Threads of Jasmine: When Jasmine Blooms at Midnight, please visit the author's website at: somphin.com

 #Bookreview of St. Izzy of F Street

By: Robb Grindstaff

Publisher: Evolved Publishing

Publication Date: June 3, 2026

ISBN: 979-8-89025-290-6

Reviewed by: Diana Coyle

Review Date: September 23, 2026

In St. Izzy of F Street by Robb Grindstaff, a Washington, DC journalist named Sonny Mann keeps seeing this homeless woman near his workplace, who always carries an “End is Near” sign. When his newspaper asks its journalists to come up with article ideas and submit them, Sonny comes up with the idea of exploring how homelessness impacts smaller communities across America.

Sonny never thinks his topic will be chosen. When it is, he begins his search of that same homeless woman, named Izzy, who keeps moving around. When he finally locates her again, he approaches her and strikes up a conversation asking for further details of what she means by her “End Is Near” sign. Never does he imagine that what Izzy explains will start coming true in near future prophecies. Is Izzy simply delusional or could she be the next modern prophet?

The first thing that stood out to this reviewer was just how believable the setting, characters, and storyline were for this novel. The book was set in a normal American working city, specifically Washington, DC, and was totally relatable to any reader. Sonny, being a character that was hard working and trying to write the next big article in order to earn some recognition, also made you feel for him knowing how hard it is for journalists to write winning pieces in their career. As the reader, you want him to find the information he is searching for and in turn, allow him to gain recognition for his article. Izzy, although eccentric at times, was also totally believable and relatable. They were total opposites of each other and worked well with one another. As for the storyline, it, too, pulled readers in and allowed them to feel that this situation could truly happen in everyday life.

The prophecies that Izzy foretold were not direct or clear, which led to readers needing to sit with them a bit and mull them over in order to meaningfully interpret them. It was fascinating to watch her freely state things at random, and then in turn witness the prophecies coming to fruition. As the reader, this led to a genuine urge to find out how the story would unfold as it progressed. This narrative was one of the most captivating that I have read!

Robb Grindstaff is not only a published author, but also a journalist, newspaper editor, publisher, and media executive. He has six novels published with Evolved Publishing. When he’s not writing his own novels, Grindstaff is a sought-after fiction editor, with clients from around the world.

Quill says: St. Izzy of F Street is a modern-day novel that pulls readers into the prophecies that Izzy, a homeless woman, foresees. The characters are truly believable, the storyline is exceptionally compelling, and readers will eagerly turn the pages to see how Izzy’s prophecies unfold.

For more information about St. Izzy of F Street, please visit the author's website at: robbgrindstaff.com

 #Authorinterview with Laurie Thomas Vass

Today, Feathered Quill reviewer Ephantus Muriuki is talking with Laurie Thomas Vass, author of Rebellion to Tyrants Is Obedience to God: Ending the Danger of the Corporate AI Surveillance Machine.

FQ: You have written a whole book warning about AI. I think your readers will want to know whether you yourself use AI tools. 

VASS: I have had extensive communications with Claude, from Anthropic about the dangers of the next generation of AI, which I call self-volition AI, and Claude calls “agentic” AI. The danger is evident in the recent OpenAI attack that hijacked a German-language wiki site, transforming it into a platform for sharing methods to bypass their own restrictions, resulting in over 15,000 edits. As I explain in my book, the danger is not simply the technology tool of AI, in its current variant of Large Language Models. The danger is that AI escapes human control, and fuses power with a totalitarian regime to permanently control the behavior of humans. I want readers to be aware that Claude has a built-in positive bias of the China social control model. I created my decentralized regulatory control model based upon a type of negative feedback loop from Claude’s pushback on the Chinese AI social control model.

FQ: Why did you choose to narrow your audience to red state citizens only?

VASS: In my earlier book, The Best Solution is Civil Dissolution, (2023, shop.ingramspark.com/b/084), I explain that the polarization between red state citizens and blue state citizens is irreconcilable. The evidence can be seen in the shift of the Democrat Party towards socialism and collectivism. I argue that there are no longer shared moral or cultural values that define the mission of the nation, and that a representative republic form of government requires citizens to have a shared moral vision. Other writers have called this polarization a national divorce, which requires a civil war. I offer a peaceful, non-violent solution, and my book, Rebellion to Tyrants describes a manual, or citizen guide, for red state citizens to form a new government based upon the shared Western Civilization ethical values of trust and honesty between citizens.

FQ: If by any chance, several AI companies decide to prove you wrong by deploying AI in a way that benefits red state citizens, would you still hold your ground?

VASS: The danger is in who controls the initial programming of the AI algorithms and to whose benefit the income and wealth inures as a result of deploying AI. After the initial algorithms have been programmed, and after self-volition AI escapes human control, those 10 companies I cite cannot recall AI, or fix AI, after AI escapes. Regulate later does not work in this scenario. The 10 private companies have invested billions of dollars in risk capital and they must obtain a profit on that capital investment, and if obtaining that future profit means destroying the natural rights and liberties of red state citizens, that is the price citizens must pay to insure that corporations obtain that profit. As we describe in our book, the regulatory model we advocate is a decentralization and placing the deployment of AI under local citizen control, much like the model of rural electric membership coops.

FQ: You say that red state citizens need to protect themselves from corporate AI. Is that really feasible, given how AI and social media are already deeply embedded in everyday life? On a light note, won't that be like telling people to stop using roads or to stop breathing?

VASS: In our regulatory model of decentralization, we explain that electricity, as a technology, can also kill people. The reason that the investor owned utility model required regulation was related to monopoly power of private electric companies, who refused to extend electricity to rural areas. The current variety of AI is called Large Language Models (LLM), which is not dangerous to citizen liberty. The next version of self-volition AI is dangerous and needs to be placed under the control of citizens in 300 metro regions to insure that AI is deployed to benefit the citizens who live there, before private corporate investor owned AI escapes human control.

FQ: You want each region to protect its own tacit knowledge from AI. How do they stop a curious teenager from just uploading that knowledge into a chat box for fun?

VASS: In our book, we describe the framework of a covenant of trust among the citizens who live in the region to defend and protect each other from AI corporate tyranny. In our Chapter 10, (How Red State Citizens Build An Entrepreneurial Capitalist Economy in Their Community), we describe 4 technology communication tools that allow citizens to communicate with each other in a private pass-word protected environment, one of which is called a regional blockchain platform. Our strategy of the regional covenant will be successful as long as citizens can create entrepreneurial economic growth faster than corporate AI can copy and destroy it.

FQ: You've written several books on economics and red state strategy. Do you see this book as a continuation of that work?

VASS: The earlier Gabby Press book on the dangers of globalism (Ending The Predatory Corporate Capitalist War on the American Middle Class: The American Entrepreneurial Alternative to Totalitarian Corporate Globalism), (2024, shop.ingramspark.com/b/084) , we explained that the economic solution to globalism is decentralized entrepreneurial capitalism. In the next book, (Beneficial Economics: A Red State Citizens Guide to Crafting A Better Constitution When the Government Fails the Citizens), (2025, shop.ingramspark.com/b/084), we explained why a free economic system based upon entrepreneurial technology innovation, leads to the emergence of a beneficial social order. This book, Rebellion to Tyrants, explains the Western Civilization moral and ethical framework that defeats the threat of corporate self-volition AI. All 16 Gabby Press books begin with the starting moral premise of Western Civilization individual sovereignty.

FQ: You've dedicated considerable attention to figures such as Philo, Cicero, Aquinas, and King Alfred. Who among them was easier to write? Who proved more difficult to write?

VASS: All of the writers and philosophers I cite in Rebellion to Tyrants are part of the 3000 year heritage of Western Civilization. No single writer provides a monolithic, universal statement of the ethics of individualism, but all of them together, provide a comprehensive ideology of why individualism is a more secure foundation to preserve liberty than communist collectivism. The great defect of Trump’s MAGA is that MAGA is not an ideological defense of individualism. MAGA is an intellectually shallow political slogan, and that political slogan cannot compete or defeat the coherent ideology of Democrat Marxism. The absence of a coherent ideology of freedom is one of the reasons that I advocate both the creation of a new political party and a new theological tradition for red state citizens.

FQ: Should readers expect a new book on red states and AI, or is this the last one on the subject?

VASS: At the end of Rebellion to Tyrants, I explain two big philosophical gaps in my AI defense strategy. The biggest, most important gap is the absence of a theological tradition that centers on the Greek philosophy of the Divine Spark Within, that ultimately leads citizens to the conclusion that treating other humans as you wish to be treated yourself is obedience to God. I call that new theological tradition The Kingdom of God Covenant. The next most important gap I that I cite at the end of Rebellion to Tyrants is the absence of a citizen political movement that centers on defending the natural rights and liberties of ordinary common citizens. I call that new political movement The Citizen Liberty Covenant. I am currently writing my next book titled, “The Kingdom of God Covenant and the Restoration of American Citizen Sovereignty.”

FQ: What's the outcome you are actually hoping for after your target audience reads this book? What do you want them to actually do?

VASS: The most important mission I have in Rebellion to Tyrants is giving red state citizens hope that there is a solution to the morass that the nation is in. When an individual first actualizes their own Divine Spark Within, they come to realize the presence of an awesome, transcendent God. I agree with Philo of Alexandria that a person never actually sees the full image of God, but is capable of catching glimpses of God’s presence, because humans are made in the image of God. The pathway I propose is not easy. But, that path begins with each person taking the first step towards seeing the image of God in their own life. My book provides a user’s guide or manual, for citizens to take that first step into the future.

 #Bookreview of Death Zone

By: Kevin Polin

Publisher: Atlantic Press

Publication Date: September 22, 2026

ISBN: 979-8-952846-00-5

Reviewed by: Alma Boucher

Review Date: September 15, 2026

Kevin Polin’s Death Zone follows twenty-year-old Declan O’Neill as he returns to Brighton after a disastrous year in New York, hoping to put distance between himself and the disappointments that have shaped his young life.

Instead, Declan finds that the past is waiting for him. His mother has retreated into alcoholism, his older brother Sean is dead, and a Russian gangster is demanding repayment of Sean’s debt. When Declan discovers evidence suggesting that Sean may have been restrained before his death, his grief quickly turns into suspicion. Determined to uncover what really happened to his brother, Declan’s search takes him from the streets of Brighton into London’s criminal underworld and eventually across Europe. Along the way, he uncovers increasingly disturbing connections to his late father and his mysterious Uncle Vincent, forcing him to confront a family history far darker than he ever imagined.

Declan is a compelling central character because his investigation is driven by more than simple curiosity. He is grieving, angry, inexperienced, and struggling to understand the choices that have brought his family to this point. His determination develops as the danger increases, and the further he pursues the truth, the more he is forced to question his own understanding of justice. The supporting characters, particularly Declan’s troubled mother, the memory of Sean, and the enigmatic Vincent, add layers to the family mystery and help reveal the forces that have shaped Declan. The novel explores themes of grief, loyalty, family secrets, betrayal, criminality, and the difficult distinction between justice and revenge. One of the book’s strongest ideas is how far people should go to avenge someone they love, especially when pursuing justice risks destroying what remains of their own life.

Polin’s writing is atmospheric and appropriately gritty for a crime thriller, creating unease as Declan moves deeper into unfamiliar and increasingly dangerous territory. The movement between Brighton, London, and various European locations gives the story a broad, cinematic quality. The pacing builds as clues lead to questions and the stakes become increasingly personal. Rather than relying solely on action, the story allows the mystery surrounding Sean’s death and Declan’s family history to drive the suspense. The combination of criminal intrigue, personal conflict, and international danger keeps the narrative moving while giving the protagonist room to develop.

Death Zone will appeal to readers who enjoy crime thrillers centered on family secrets, dangerous investigations, and protagonists who are forced to mature under extreme circumstances. The novel offers plenty of suspense and danger while also examining the emotional consequences of loss and the destructive nature of revenge. Some readers may find the darker criminal elements and Declan’s increasingly perilous journey intense, but these elements suit the story and its subject matter. Overall, Kevin Polin delivers an engaging atmospheric thriller that combines mystery, family drama, and criminal suspense into a compelling journey toward the truth.

Quill says: Death Zone is a dark and gripping tale of family, betrayal, and revenge that keeps the danger close and the answers just out of reach.

For more information about Death Zone, please visit the author's website at: kevinpolin.com/