Thursday, November 4, 2010

"Charlotte's Web" Cover Art - Sold!

Original 'Charlotte's Web' Cover Art Sells at Auction


Featuring the image of Fern and Wilbur gazing at a dangling Charlotte, Garth Williams’s original cover art for E.B. White’s Charlotte’s Web sold at auction on October 15 for $155,350, more than five times the pre-sale estimate. This figure sets a world record for the sale of any art created by the legendary Williams, who died in 1996 at the age of 84.
The artist’s family consigned 42 of his original illustrations for Charlotte’s Web to the auction, which was conducted in New York City and online by Heritage Auctions. The works brought a combined total of $780,245; one endearing illustration—showing a smiling Wilbur standing below Charlotte’s web, in which she’s spun the word, “TERRIFIC”—alone fetched $95,600.

This interior image from the  book  went for more than $95,000 at auction.
“The response to the Charlotte’s Web art was tremendous, especially the iconic cover art,” said Barry Sandoval, Heritage’s director of operations for the comics and original comic art auctions. “It just shows how universally beloved this book and this art really are.”
“Charlotte’s Web feels as fresh today as it did when it was published 58 years ago,” said Susan Katz, president and publisher of HarperCollins Children’s Books, of the book’s longevity and appeal. “In many ways, it is the ultimate story of childhood and of growing up, told with elegant understatement. The universal themes of friendship, loyalty, and loss have led several generations of children to cherish this tale.”
And the novel, which has sold more than 25 million copies, shows no signs of slowing down. “Not only is it a cornerstone of our history as a house,” Katz said, “it proves every year to be an enduring bestseller.”

Amazon's Best Book List

Amazon has just released the annual list of their 100 top books of the year.  From their site:

"Editors' Picks: Top 100 BooksThe book we ended up choosing as our Best Book of the Year for 2010 was one that was a favorite nearly the whole year long. Reporter Rebecca Skloot's first book was the result of a decade of research and writing, and of a remarkable relationship between author and subject: The Immortal Life of Henrietta Lacks is a moving story of science, history, and family, the stranger-than-fiction tale of a woman who died young, but whose cells lived beyond her and laid the foundation for countless scientific breakthroughs."

You can see the complete list here.

Book Trailers: Who Watches Them?

Interesting article (and comments) about book trailers. Are they really effective and who watches them? Read the story here.

Wednesday, November 3, 2010

Children's Book Award

From Linda Radke of Five-Star Publications:

ONCE UPON A WORLD CHILDREN'S BOOK AWARD

The Simon Wiesenthal Center and Museum of Tolerance Library and Archives annually provides the Once Upon A World Children's Book Award to two outstanding children's books.

Award Mission
To support and perpetuate the values and mandate of the Simon Wiesenthal Center and the Museum of Tolerance by honoring children's books, aimed at young readers (ages 6-10) and young adults (ages 11+), which deal with issues of tolerance, diversity, human understanding and social justice, thus inspiring readers to promote positive change in the world.
Winning books demonstrate the following:
  1. Heroic deeds that lead to tolerance and social justice.
  2. Acceptance of social and personal responsibility.
  3. Good communications between people.
  4. A sense of urgency and empowerment of the individual.
  5. The importance of history.

Tuesday, November 2, 2010

Author Interview with Eric Wilder

Today we're talking with Eric Wilder, author of Morning Mist of Blood.


FQ: Your book reads like it was written by a native resident of Oklahoma, with all the descriptive passages of the Sooner state. Yet, I see that you are originally from Louisiana. How long have you called Oklahoma home? Was it hard to get the details of Oklahoma life correct or did they fall into place easily?

I moved to Oklahoma in my late twenties and have lived here more than thirty years. I suppose this makes me an Okie to most, but I have strong ties to Oklahoma and Louisiana. I write about both states, delving into local flavor. As a fiction writer, I'm able to mix fact and fantasy.

FQ: Your protagonist, Buck, is tall, handsome, is good with animals, and a really nice guy. While he has some minor flaws, he is basically a woman's dream man. Is he modeled after anybody or is he a complete fabrication?

Buck's character contains facets of many people, maybe even a little of myself. In my experience as a writer, characters evolve as a book progresses. No matter how I originally envisioned an individual, he or she eventually reveals their own story, almost always surprising me with the result.

FQ: In today's world, many city folk may not realize that cattle rustling and stealing crude could still be a problem. Was it important for you to bring these problems to light or was it simply fun to build a mystery around these western themes?

Cattle rustling and oil theft are huge problems in Oklahoma, and probably every other state where cattle is raised and oil produced. As the book relates, oil is valuable and virtually untraceable once it leaves the tank. Its theft is an almost "perfect" crime.

FQ: Where did the idea of the women's commune, Lykaia, come from?

I owe this to a cousin who, after her divorce, toyed with the idea of moving into an all-female community that actually was well-governed and self-sufficient. The rest, well, that can be chalked up to a writer's imagination.

FQ: It appears that Buck has stumbled upon Heaven on Earth when the ladies of Lykaia befriend him. Knowing Buck as you do, do you think he's the sort who could happily move in (if invited, of course!) to the commune or would his free spirit revolt?

Raised in foster homes, Buck seems destined to life as a loner. Lack of nurturing as a child has left him with a fatal character flaw—he has no sense of family. Because of this flaw, he's never had a meaningful long term relationship, and perhaps never will.

To learn more about Morning Mist of Blood please visit our website and read the review at: Feathered Quill Book Reviews.

Win a Book!

This month our "Win A Book" contest features If Dogs Could Talk: Tongues Unleashed! by Joel Zadak.  You can read the review here and then enter the contest here. Contest ends November 30th, 2010.  Good luck!



Monday, November 1, 2010

Author Interview with Joan Holub

Today we're talking with Joan Holub, author of Goddess Girls, Who Was Jim Henson?, Twinkle, Star of the Week, Groundhog Weather School, and many other popular childrens books. 


FQ: You’ve written a wide variety of children’s books. Which book are you proudest of and why?

Ooh! Tough question right off the bat. I’ve written everything from board books to chapter books, but nothing older--I think I stopped maturing around age thirteen. One of my favorite books is probably my picture book, Groundhog Weather School (Putnam). It’s a humorous fictional story about Professor Groundhog, whose incorrect weather forecasts lead him to begin a school to train more forecasters to help him out. Another favorite of mine is the humorous biography Vincent van Gogh: Sunflowers and Swirly Stars.

FQ: You penned the Goddess Girls series with Suzanne Williams. How were you able to work together so well?

In the beginning, we had no idea how our writing collaboration would work out, but had our fingers crossed. We got along well, and had both written chapter books, so I suggested that we try writing a series together. We each brought some series ideas to the table, andGoddess Girls turned out to be the most viable. I think we work well together because we both stick to schedules, have a similar (but not identical) sense of humor, and we’re willing to let each other edit our work.

FQ: The ‘tween audience is enjoying meeting your mythical, mystical characters Persephone, Athena, and the goddess gang. Tell us a bit about the creation of the series.

I love tweens and am so pleased they’ve embraced the series. To start, Suzanne and I wrote three chapters for the first book, Athena the Brain, along with a half-page series synopsis plus a half-page synopsis for each of the four books we proposed to write in the series. Suzanne was busy, so I wrote those original chapters and she edited them. Our agent sent the proposal out and Aladdin was interested. When they brought cover artist Glen Hanson on board, the whole series really came together! We’ve been asked to write two additional titles, for a total of six.

FQ: How long did it take you to break into the notoriously difficult world of children’s book publishing? You seem to float with ease from one publishing house to another.

It seemed like it took forever and I received many polite rejections along the way, but I was determined to learn about the business and creative sides of publishing. I didn’t give up, and I am always learning and growing. I think the most important things an aspiring author can do to move along the path to publication is to study the children’s books they love and ponder why they are successful. And to write something fresh that comes from the heart or some quirky, funny place in their hearts.

FQ: Were you one of those precocious youngsters who was always writing poetry and stories?

I didn’t write much at all outside of school. I did read voraciously, and my mom taught me to love libraries. She also read to us, which was important in nurturing my love of books.

FQ: Which children’s book authors had the most influence on your writing?

Lauren Child, Laurie Keller, Denise Cronin, Sandra Boynton, Barbara Parks, Dav Pilkey, Rosemary Wells, and my pals and occasional critique partners Lorie Ann Grover and Laura Kvasnosky, among many others.

FQ: You are an extremely versatile author. Where do you get all your ideas?

Ideas are the easy part of writing. I have a long list of them calling my name, begging to be written. The hard part is turning an idea into a book that makes sense, has a point of view, and stands out from other books. It can be really frustrating, but is incredibly rewarding when it works. I truly love my job and am happy to go to my studio every day.

FQ: One of my favorite books was Shampoodle. Is there any “real” story behind that passel of zany dogs?

Thanks, Deb! I often begin a book with a title—some word(s) that immediately spark an idea and becomes the springboard for a book. Shampoodle is one of those title-driven books. I didn’t realize that working this way was unusual until I began mentioning it to other authors. A few other books of mine that started with a title are Boo Who? A Spooky Lift-the-Flap book; the Goddess Girls series; and Knuckleheads (actual hands are the characters in this one).

FQ: What is your all time, hands down favorite book?

Another tough question! I’ll go back to one that inspired me to become an author—Eloise by Kay Thompson, illustrated by Hilary Knight. Actually, I originally wanted to be an illustrator, and I used to trace the drawings in this book, trying to learn how to draw.

To learn more about Goddess Girls please visit our website and read the review at:Feathered Quill Book Reviews.