Wednesday, May 6, 2026

#Authorinterview with Al Dawson

Today, Feathered Quill reviewer Diane Lunsford is talking with Al Dawson, author of Borderlines.

Author Al Dawson

FQ: I immediately recognized your name when asked to review Borderlines. Your previous novel, Priest, was such a captivating read, and I recalled how easy it was to connect with that storyline. Such was the case with Borderlines. I’m intrigued by the subject matter you choose for each of your novels. The topics are very relevant in today’s climate. Was there something specific that inspired you to choose drug cartels as your topic for Borderlines?

DAWSON: Thank you, Diane. I appreciate the insightful understanding that comes through in your reviews of the two novels. By way of responding to your question, recent history is a favorite setting for my three novels (yes, three, including my first, Searching for Noriko). I like selecting a period in time that is familiar to most, but not too distant in time to feel remote. It gives the imagination room to roam, asking the “what ifs” while creating a fictitious story within the discipline of a known reality. I hope that makes sense to you. Regarding Borderlines, I was first drawn to the idea of a story that explores how our current corrosive political climate influences the decisions of people who are facing life and death choices. The drug cartels and a crusading prosecutor seemed like a good vehicle for doing that. And being from the Southwest, you might say it came naturally.

FQ: In line with my previous question, given you are a retired lawyer living in your golden years in Palm Beach Gardens Florida, what type of law did you practice?

DAWSON: I was a regulatory lawyer, representing primarily insurance clients before regulatory agencies and lobbying on their behalf. Not too sexy, but it paid the bills.

FQ: What made you leave the beauty and majesty of the southwest and settle in south Florida?

DAWSON: That is a question I’m sure my departed mother and father pondered but never really asked me. They knew I needed to stretch and explore beyond what the New Mexico of the late 1960s offered. After a career that was spent mostly in the Northeast, where I met and married Jane, we decided to follow the path of several retired working associates and ended up in South Florida. However, I do miss the arid open spaces and mountains I grew up with.

FQ: I’m curious if character Jace Kelly was fashioned after a real person. If so, can you elaborate?

DAWSON: I’ll let you in on a little secret. My first novel, Searching for Noriko, was a much longer manuscript before an editor suggested strongly that it should lose about 30,000 words. I did the required surgery, and in the course of it I lost an entire subplot, including a character who I resurrected in Borderlines as Jace Kelly. Never let a good character go to waste! As for any resemblance to a real person, not really. He is a composite of the conflicted good guy I imagined.

FQ: I was especially drawn to ‘Epic’s’ character. He is an Apache tracker and lives off the grid. I enjoyed how you developed his richness and again must ask if there is someone from your travels who inspired you to apply such vivid reality to his character.

DAWSON: Very good, Diane. Epictetus Ryan is also a favorite invention with more than just a nod to reality. As a young boy in Tularosa, New Mexico, I was familiar with the Apaches of the nearby Mescalero Reservation, home of Geronimo’s tribe. There was another person, Thomas Fortune Ryan II, a successful businessman who settled in Three Rivers. My father knew Tom Ryan. Epic is an imaginary character, descendant of Ryan, embodying the best qualities of an Apache warrior with a stoic education. He does not represent any particular person I have known.

FQ: Without going down a political rabbit hole, do you suppose there will ever be a time in our lifetime when we will see a wholesome approach toward serving ‘We the People’ (versus perpetual personal gains for power through greed)? I personally believe we live in the greatest nation in the world and am offended when I hear the disparaging remark aimed at our current leader given the tremendous and positive grounds he has achieved. What is your view on this?

DAWSON: Rabbit hole, indeed. It is a shame that our political discourse has reached such an abysmal level. And particularly now, when our forces in the Middle East are fighting to eradicate a terroristic state that represents an existential threat to world peace, one might reasonably expect that the country would be united as one in supporting the president and our military. I can’t recall a time in our history when the other party was rooting for the enemy just so that the president doesn’t chalk up a win. Even Vietnam and the Civil War never saw anything like this. There’s a point, I believe, that incitement to violence against the chief executive, whether by individuals or political parties, is actionable as treasonous and seditious, and punishable accordingly. Recall Franklin’s answer to the question of what sort of government the United states would be. “A republic,” he said. “If you can keep it.” Wise man. He foresaw too well how the mob mentality could destroy the very foundations of the republic. Let us hope that Lincoln’s “better angels” come to the fore, producing honorable statesmen whose principal desire is only the success of the American experiment in representative government before it is too late and we descend into a socialist hell.

FQ: I worked in a legal capacity for many years before becoming a full-time writer in my retirement. I have always had a passion for writing fiction. When did you realize your solid connection with your pen and how do you continue to nurture inspiration?

DAWSON: Inspiration is everywhere. Whether it is a loose strand from a previous story that begs to be elaborated, or something pricks your conscience or your mind, a theme that won’t let you sleep unless you do something about it.

Again, perhaps I can confide. I began trying my hand at storytelling while I was in the seminary. The Catcher in the Rye was just the sort of rebellious, coming of age theme that really had an effect on me. I began writing short story stuff that I thought sounded like Salinger. Somehow it attracted the attention of the faculty, and probably hastened my unceremonious dismissal.

It wasn’t until much later (55 years?) that I challenged myself to write a novel. Thus was born Searching for Noriko, a WW II romantic thriller. That’s when I actually discovered I could write.

FQ: In line with my previous question, what is your process? Do you develop an outline first? Or do you just let the pen start flowing and see where it leads you?

DAWSON: I’m not disciplined enough to start with an outline. Besides, I want to be surprised. I try to create characters who will drive the story. For at least 2/3 of the book, I honestly don’t know how it will all end up. I just put characters in situations and let them decide what to do next. Maybe it’s what I would do, but not always.

FQ: I don’t necessarily experience ‘writer’s block’ but can tell when I am forcing my pen. My remedy is to walk away and let my thoughts percolate for a while before I return to writing. What is your remedy to overcome a stall in your writing?

DAWSON: My problem isn’t so much writer’s block as writer’s laziness. If I had a deadline and writing was how I supported myself, perhaps I would be more dedicated and work more quickly. When I need to overcome a lapse in my storytelling, a break helps. Sometimes it is as simple as a thorny plot problem whose solution comes to me when I’m in that dreamy half-awake state before dawn.

FQ: It has been a great pleasure to read your latest title, and I want to thank you for your time today. Given the great storyline and larger than life characters in Borderlines, I can only assume you are working on your next project. If so, are you able to share a bit? If not, when?

DAWSON: Thank you for your time as well. No project is in the offing just now. Jane tells me she’s tired of being an author’s widow. True, writing takes a great deal of time, both in the research and composing. I think I owe her a good break. But if something comes along and causes the proverbial itch that needs a scratch, one never knows….

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