Friday, March 29, 2019

#BookReview - Noodles' & Albie's Mermaid Parade

Noodles' & Albie's Mermaid Parade

By: Eric S. Bennett
Illustrated by: Paige Monte
Publisher: Penguin Gift Shop
Publication Date: 2018
ISBN: 978-0578208381
Reviewed by: Holly Connors
Review Date: March 2019
In the latest adventure in the "Noodles and Albie" series by Eric Bennett, the adorable pair are off on their biggest adventure yet as they set sail for Coney Island to participate in a mermaid parade.
Noodles, an Emperor penguin, and his fish friend Albie, live on the Antarctic ice. While there are lots of penguins around, the friends don't normally run into many humans. But one day, while they're introducing Noodles' little sister Paige to the sea, they meet Jon and Ken, researchers who have been working in the Antarctic. The humans are getting ready to leave their research project and head to the warmth of Brooklyn where they'll be attending a Mermaid Parade and the opening of an amusement park. Now that gets Noodles' attention! He confidently walks up to the researchers and asks about the parade and amusement park. Learning that the parade is one where everyone has to dress in aquatic costumes, Noodles and Albie realize it's the perfect parade for them! Getting permission to travel to Coney Island for the parade with the humans, the aquatic pair are about to have one heck of an adventure.
Along the way to Brooklyn, the travelers stop at the Falklands where Jon and Ken have some instruments that they have to check. While there, Noodles and Albie meet a King penguin named Henry. They also meets some rather funny Rockhopper penguins and then, continuing their journey, come upon a tanker in distress. And this is all before their adventure at the parade!
Noodles' & Albie's Mermaid Parade is a delightful story about two very charming characters. Kids can't help but fall in love with Noodles and his blue baseball cap, and Albie who always wears a smile. There's some drama thrown into the story (rescuing the tanker) and humor (who is more important, a King penguin or an Emperor penguin?) to keep children engaged. There is a bit more text in this book than many early readers, which makes it perfect for those who aren't quite ready for chapter books but need something more challenging than a one or two sentence per page story. Add in the educational element (facts about penguins, etc.) and the delightful illustrations, and you have a book that should be on your child's bookshelf.
Quill says: Noodles' & Albie's Mermaid Parade is a fun tale that not only entertains but also cleverly sneaks in plenty of educational tidbits along the way.
For more information on Noodles' & Albie's Mermaid Parade, please visit the website: penguingiftshop.com

#BookReview - Blind Walls

Blind Walls

By: Conrad Bishop and Elizabeth Fuller
Publisher: WordWorkers Press
Publication Date: June 2019
ISBN: 978-0-9997287-2-7
Reviewed by: Barbara Bamberger Scott
Review Date: March 2019
A mystery hidden within a house of a hundred and sixty rooms and the interlocking lives of its inhabitants, builders and explorers, dead and alive, this fascinating character study is the work of an author/playwright duo who are as drawn to its themes as its readers will be.
Raymond Smollet is a bitter man, with reason. He never found real love, either of the passionate kind he sought with other men or the etheric caring sort he longed for in the women in his life. But furthermore, he went blind while still in his prime. His only consolation is that even without sight, he can still do his job – leading tours through a California mansion known as Weatherlee House. The legend is that Sophia Weatherlee, a widow who had lost her only child, was told by a psychic advisor that she could only stay alive and sane if she were constantly within the sound of hammering. So she transformed a modest mansion into a giant, incomprehensibly complex labyrinth. Smollet doesn’t need sight to navigate through the house; from memory “I could see the woodwork, the turrets, the exquisite dadoes, the iridescent glow of the Tiffany windows.” Until one day, the day he realizes will be the last one of his life, leading a tour that marks his retirement, he sees Sophia Weatherlee, staring at him “with her deep, ancient, knowing eyes.”
As he continues the tour, convinced he is hallucinating or worse, a drama unfolds. Smollet “meets” Chuck, Sophia’s young workman who reminds him of his first love, and Chuck’s girlfriend Dee, a stand-in perhaps for all of Smollet’s female companions. Chuck was the master builder of Weatherlee for nearly four decades, reluctant to give up his role after her demise, but long since estranged from Dee, who became a faithful secretary to the decrepit old woman. As Smollet pushes onward, the tentacles of their lives entwine with his failed hopes and dreams. But the end of the tour will be nothing like he imagines.
The pairing of Bishop and Fuller is a magical one. They have written pieces of the same story before, in their intriguing drama, Hammers, which features the house’s ghosts and its modern visitors, but not the tour guide. In this iteration, they allow us to see this incredible saga through the eyes of a blind man who has his own ghosts to deal with. It’s a brilliant opus, melding the past, present, and future with intimate, individual viewpoints from a tightly arrayed cast of believable characters in as eerie a setting as might be dredged out of everyman’s subconscious searching. Yet it is based in fact: Sarah Winchester built just such a jumbled maze in San Jose, California, after the deaths of her husband and child, for reasons only guessed at. Yet it is a construction both outer and inner that has its grip on Bishop and Fuller, and the reader can only be grateful. 
Quill says: Blind Walls offers a weird alternative world, featuring a blind man with second sight and an acerbic wit as its charming, empathic hero. 
To learn more about Blind Walls, please visit the website www.DamnedFool.com

#AuthorInterview with Jennifer Skiff

Today, Feathered Quill reviewer Diane Lunsford is talking with Jennifer Skiff, the author of Rescuing Ladybugs: Inspirational Encounters with Animals That Changed the World.
FQ: First and foremost, congratulations on your Feathered Quill award. After reading your book, I can see how you were a recipient. In your introduction, you share the memory of the importance of ladybugs and the symbolism of happiness and good luck that resonated with you as a child. Was this your anchor to infuse the positive (versus negative) throughout the accounts you wrote about?  
SKIFF: It’s an honor.  Thank you.  Yes, the ladybug is the anchor.  When we were young we were taught that when a ladybug landed on us, we were to blow her away to the safety of her family and in return, we’d receive good luck.  That story, known worldwide taught us to have compassion for all animals, even the tiniest.  It evokes happy memories for most people.  For me, it was important this book be experienced as a positive awakening.
FQ: In line with question 1, why the title Rescuing Ladybugs? The deeper I got into your book, the more I found myself trying to connect the correlation between the title and the actual accounts you experienced.
SKIFF: You’re not alone.  My editor loved the title but said I’d have to find a way to continue the thread throughout the book.  I did this by asking each of the global heroes if they’d ever rescued a ladybug.  I loved their answers.
FQ: With your journalistic prowess and credentials, do you find yourself migrating more toward writing books (or do you still have a hunger toward media reporting)?
SKIFF: I remain a news junky and find time throughout the day to see what’s happening globally, and of course in Washington.  I write non-fiction, so I still consider myself a journalist.  In truth, spending days in my office with my dogs by my side is a lot more pleasant at this stage than chasing stories and working under a daily deadline.
FQ: Following on with question 3 (and certainly not trying to get political), how would you sum up the art of journalistic reporting today in comparison to a decade ago?
SKIFF: I witnessed the change start 25 years ago.  At that time, most journalists presented two sides of a story, letting the reader or viewer form their opinion. Today, I see news as mostly entertainment and opinion with the hard-core journalists hanging on for life.
FQ: Since writing Ladybugs, are you compelled to do a continuing series of experiences?
SKIFF: Yes! It’s the life I lead and that work, thankfully, inspires others.  I look forward to documenting the youth who are compelled to create change.
FQ: Of the many encounters and rescue missions, what experience provided the greatest sense of accomplishment?
SKIFF: Looking back, working to build the first bear sanctuary in a communist country gave me a great sense of accomplishment.  Having said that, rescuing a dog I found in a pile of garbage in Puerto Rico while I was on a shoot for CNN defined me.  My crew told me to leave the dog behind. I didn’t.  That moment gave me a divine strength that has never left me. Since then, I’ve always followed my own instincts to choose right over wrong no matter what other people think.
FQ: What left you feeling like you could have done more?
SKIFF: That’s a good question.  I’m continuously working on legislative issues that are emotionally debilitating.  It makes me physically ill when I see some legislators fighting to keep farm animals and the people who eat them sick because they don’t have the vision or incentive to create change that benefits everyone.  Change takes time and during that time, there is suffering.  I will add that negotiating is difficult when you want to scream.  Why in both scenarios?
FQ: As for writing, what is your process when you feel the urge to begin a new project? Is there a deep sense that keeps mentally challenging you to write the story (or is it a process that trickles in a steady flow)?
SKIFF: My contemplation comes when I create the proposal for a book that is used to sell it to a publisher in advance of writing.  That’s the hard part.  I want my books to inspire, enlighten, educate, and to take readers for an exciting ride.  Once I have the structure of the book in proposal form, it flows quickly.
FQ: How do you overcome the road block, I would venture to say all writers encounter: ‘The proverbial writer’s block’?  
SKIFF: So far, so good.  I’m lucky not to have experienced it.  I think that comes from being trained as a news reporter, where I often worked against daily deadlines for 25 years.
FQ: When do you know it is time to set the project aside and come back to it? Or, set the project aside because it wasn’t meant to be?
SKIFF: I’m extremely fortunate to have a wonderful literary agent who’s been with me through the publication of three books.  She proofs my proposals and if something isn’t singing to her, she lets me know.  I’ve also pitched ideas to her that she hasn’t felt she could sell.  I respect her immensely and take her direction.
FQ: What was your motivation to submit your work for consideration of an award with Feathered Quill?
SKIFF: Rescuing Ladybugs was submitted for consideration under the advice of several of my closest friends who felt it was my best work.  I was interested to see if people who weren’t my friends felt the same way.  It has truly warmed my heart to have received not one, but two 1st place awards with Feathered Quill - a dream come true.
FQ: Are you working on your next project? If so, are you able to share any nuggets at this time?
SKIFF: I was hoping to take 2019 to enjoy friends and family while promoting Rescuing Ladybugs.  Instead, I’ve just accepted an international role with a Washington-based animal welfare organization and am excited to work to make life better for billions of animals a year.  I’ll be keeping a diary and as you know, diaries are a great starting point for books!

Wednesday, March 27, 2019

#BookReview - Rescuing Ladybugs

Rescuing Ladybugs: Inspirational Encounters with Animals That Changed the World

By: Jennifer Skiff
Publisher: New World Library
Publication Date: 2018
ISBN: 978-1-60868-502-8
Reviewed by: Diane Lunsford
Review Date: March 25, 2019
Jennifer Skiff takes the reader on an epic journey and delivers a series of accounts that address the connection between humans and animals. Through a multitude of case studies, she focuses on the importance of recognizing how the reciprocation of kindness between the two kingdoms is essential.
Ms. Skiff’s inspiration to write this book begins with her visit to Vientiane, Laos. Landlocked by China, Vietnam, Myanmar, Thailand, and Cambodia, she and her Australian boyfriend, Jon, were deposited in the lush jungles of a world quite different with its warm and humid air. On one particular day, they venture into the National Ethnic Cultural Park; located twelve miles south of the Vientiane. Ms. Skiff’s agenda was to learn about the history of the country - little did she know her history lesson was about to present an eye-opening encounter.
As they made their way further into the park, the two came upon a ten-foot-high statue of a Buddha surrounded by a circular pathway. To its side was a six-foot-high, bell-shaped cage encased by iron bars. Its tenant was a black Asiatic bear. He’d clearly outgrown the cage some time ago. He was covered in blisters and as Ms. Skiff scanned the cage further for signs of waste, there was none—an indicator this bear wasn’t being properly nourished. When the park tender approached Ms. Skiff and her boyfriend, their exchange began with: 'You like bear?' Jon responded, ‘This is an unacceptable situation for any animal.’ To which the park tender insisted the bear was happy. The deeper the two delved into their exchange, the more Ms. Skiff’s mind came up with ways to make a difference not only for this bear, but perhaps the lives of those to come. So began her journey of chronicling and traveling the world to document many infractions against animals and their loss of freedom, disallowing them to be what they were meant to be.
I enjoyed Ms. Skiff’s book immensely. There are a variety of places and accounts that range from the exotic and remote to the picturesque and quaint locales she visited and documented. She displayed a tangible ability throughout this read to draw her audience in and share her experiences through descriptive scenes and narratives as well as succinct dialogue. There are times when I’ve read accounts of mistreatment of animals and the stories written by their respective saviors. At the end of the read, I was left with a sublime sense of ‘pulpit pounding’ by the author. This was not the case with Ms. Skiff’s Rescuing Ladybugs. Rather, with her journalistic background, she managed to deliver a story-line as much as a fact-telling mission. Well done.
Quill says: The world is full of Ladybugs to be rescued. Rescuing Ladybugs is a great resource toward the positive outcomes of taking action.

#AuthorInterview with the Author & Illustrator of "Smeagull the Seagull"

Today, Feathered Quill reviewer Holly Connors is talking with Mark Seth Lender (Author) and Valerie Elaine Pettis (Illustrator) of Smeagull the Seagull - A True Story.
FQ: I LOVE the video on your website of Smeagull coming up to your door and knocking! (readers, be sure to check it out at https://www.smeagulltheseagull.com/about). Would you tell us a little about the first time Smeagull came to visit? Any idea how/why he started to visit?
MARK : We first encountered Smeagull sharing birdseed we put out for the migratory mallards who pass through Long Island Sound in early winter. But Smeagull was only eating the corn and only the whole kernels. The next time I saw him he was only eating the sunflower seeds – but only the ones still in their shells. Obviously, a character. I started bringing back scraps from Star Market, our local fish store which of course, Smeagull much preferred to birdseed. He very quickly figured us out – when we woke in the morning, what room we were in, the sound of my pickup, Valerie’s car – and that we could be trained not only to feed him but to feed him the food he prefers. Namely, what’s low down on the food chain - scraps of sardines, mackerel because this food is safe to eat, and because it has a lot of fat and oil content. You see, seagulls eat like polar bears, they crave calories and for the same reasons. Mostly to maintain body temperature.  Now, you may wonder how I knew I was feeding the same bird who first captured my attention. The answer is that herring gulls are as different in personality, their voices, the way they carry themselves and yes, their faces, as we are. It required paying attention, but after a while it wasn’t that hard to recognize Smeagull.
FQ: What first inspired you to write a book about Smeagull?
VALERIE: We both felt that Smeagull was such a good story that we really had no choice but to share it. Here is a wild animal – and seagulls absolutely are wild animals – who chose to adopt us. More than that, he trained us. Any idea that he is our pet is completely mistaken. He fully expects us to understand him, to pay attention to his needs, to be on call when he knocks. And we are. As the book says, he is family. Both Mark and I have spent our lives and our professional careers concerned about the welfare and wellbeing of others. People matter to us, regardless of where they come from or how they dress. My father was a Greek immigrant from a small town on the north Aegean Sea near Pergamon called Dikili. He was a small child when he fled the massacres of Greeks that immediately preceded the Armenian Genocide. It scarred him for life. Mark’s family was decimated in the Holocaust. We both knew our grandparents, but all the others perished. We have an understanding that is bred into us of suffering and loss. All people matter to us. All people, and by an easy extension, all life including animals – wild and domestic, mammals to insects - because both of us see our emotions in their emotions, our suffering in their suffering.
FQ: A bit of a silly question, but what happens when you go on vacation? Do you have to have somebody house-sit so Smeagull can get his food?
VALERIE: We’ve lost at least 70% of seabirds in the last 30 or 40 years as a direct result of humans vacuuming the seas of fish, and so the help we provide to Smeagull is important. Smeagull is after all a wild bird and he can forage for himself up to a point. However, if we are planning to be gone more than a few days we have someone housesit so they feed Smeagull when he knocks. We have a written checklist and we make sure anyone who takes over for us has met Smeagull in person more than once.
FQ: For Mark – you say in your bio that “…seagulls are the best, and the smartest” of birds.” Would you care to expand on that? What endears them to you?
MARK: Gulls in general, herring gulls in particular look you in the eye, attempt to communicate, and are particularly intelligent, on a par in my experience with crows and parrots and in many ways smarter than the smartest dog you will ever own. And Smeagull is a particularly bright herring gull. Consequently when it comes to communication with us, his abilities are amazing. We mentioned that Smeagull has food preferences. Would you like to hear how we found that out? Early in the relationship I remember feeding him this small, fresh, gorgeous little scrap of some kind of white fish. Now by this time he knew he had us. So he took training the humans to the next level. He walked to the edge of the deck and spit the scrap off the edge and then he turned to look at me over his shoulder as if to say, “should eat that?” And proceeded to indicated what he did and did not like in that same manner, until we got it straight. And that’s not the half of what he knows or how he’s cemented the relationship. One of my favorites was his discovery that, “Mark and Valerie don’t have feathers.” In the summer he often comes very early, just before or just after sunrise. He knocks, I jump out of bed and initially he kept right on knocking while I got dressed. Then he absorbed the “getting dressed” part. The continuous knocking ceased and instead – I figured this out by noticing where he looked – he studied how I got dressed. “Shirt, yup, Ok, got that done. Now the pants. Right, that’s done. Now the socks…” Once he understood the process he just waited till I was fully dressed, and did not start to knock again until I went to the refrigerator. As if to say, “GET A MOVE ON THERE, I HAVEN’T GOT ALL DAY!”
FQ: For Valerie - your illustrations are fabulous! My favorite is the full-page spread where Smeagull is looking straight out at the reader with his beak wide open. How hard was it to capture Smeagull’s essence in your drawings? I imagine he didn’t exactly stand still for you.
VALERIE: Smeagull has been knocking on our sliding glass door for 12 years now. I’ve learned to know him and through him what gulls look like. So I had real familiarity with my subject. I also took photographs to study his movements and proportions and I spent time on the beach just watching, gulls in flight, gulls feeding, and gulls on the water. The drawings took 6 years, mostly because I am a working graphic designer and I was not drawing full time. That said, it was a lot of work and research.
FQ: Without giving the story away, I must ask about “Me-gull.” Have his parents taught him to visit your house, asking for food?
VALERIE: Well, like most animals herring gull young disperse once they are no longer dependent on their parents. They go off and find their own territory. Otherwise they would deplete all the food in one place and they have evolved not to do that. But we did see Me-gull being fed by Smeagull until he was ready.
FQ: Mark - Would you tell our readers a bit about your other book, Salt Marsh Diary? 
MARK: I’m afraid I’m the kind of writer who will be revising his work from the mausoleum. To be sure there is some good material in Salt Marsh Diary, things I still like, but that book was published 10 years ago, which makes the stories even older. And I’d much rather tell you about my forthcoming collection, Cardinal Points, True Stories of Life on Earth. It’s another collection of my wildlife stories, based now on fieldwork from all 7 continents. My style has evolved, and the work is virtually prose poetry, written for content of course, but also with great concern for language, and meter, and sonority. I’m the Explorer in Residence at Living on Earth, which is broadcast nationally on Public Radio. About half of these stories have been broadcast on the program, the rest have yet to air so there is a lot of previously unheard and unpublished work. Also, I think I understand wildlife on a deeper level than I did and I have both more experience, and more material to draw from. Perhaps the thing I most want to convey is not the difference between us and animals but the similarities. The commonalities. All life, or rather all life with a face which is in reality a vanishingly small part of life on earth, is more similar than different. From literally hundreds of encounters in the field with everything from insects to elephants, I have found that other creatures presume that we are like them. Just like Smeagull, they expect us to understand them, to pay attention, to realize that they too have a life to live out. And they are right.
FQ: As an author/illustrator team, the two of you make a great pair. Are there any plans for another children’s book?
VALERIE: Mark and I have been married for 30 years. We love each other, more I think as time passes. And we have a true creative partnership.
MARK: We are very lucky.
VALERIE: So in a way, Smeagull is a love story, and a family story, as much about us as it is about Smeagull.
MARK: As to other books, it shouldn’t be a surprise that we have things in the works.
VALERIE: Mark and I have a concept for another Smeagull book. Mark is writing it now.
MARK: And Valerie has three new book ideas.
VALERIE: These books will depend more on illustration than text in conveying the story. One of them which focuses on the plight of refugees, will have no words at all, just images, so that it can be understood by anyone regardless of which language they speak. I think it’s going to be a beautiful book.
MARK: So do I.
Valerie’s Website: PettisDesign.com
Mark’s Website:  MarkSethLender.com
Living on Earth: loe.org

#BookReview - Smeagull the Seagull

Smeagull the Seagull - A True Story

By: Mark Seth Lender
Illustrated by: Valerie Elaine Pettis
Publisher: Seahouse Press
Publication Date: October 2018
ISBN: 978-1732192904
Reviewed by: Holly Connors
Review Date: March 23, 2019
A delightful story awaits readers who open the pages of Smeagull the Seagull, the true story of a wild herring gull and the humans who welcome him into their hearts.
Mark and Valerie live in a lovely house near the beach, with a big sliding door that overlooks the ocean. As the story opens, we learn that they have a very special daily visitor - Smeagull the Seagull.
He comes in the rain,
He comes in the snow,
He comes in the summer,
I'm telling the truth,
He comes when icicles hang from the roof!
Why does Smeagull come to Mark and Valerie's house every day? Because Smeagull has learned that if he uses his beak to knock on their door, his human friends will feed him! Mark and Valerie love feeding Smeagull but it's a lot of work keeping enough food for Smeagull at their house - they even bought a new freezer - although they do enjoy the company of their daily visitor.
As Smeagull continues his daily visits, Mark and Valerie grow a bit weary of the demands the hungry seagull puts on their time. But when he suddenly stops coming to their door, they realize just how much they love the beautiful bird and how he has become a part of their family. Will Smeagull ever return?
Smeagull the Seagull is a true story about a seagull that invited himself into the lives of Mark Seth Lender and Valerie Elaine Pettis. Thankfully, they decided to share the seagull's adventures with others by writing this book. Readers learn that Smeagull's huge appetite is matched by his beauty and the joy that he brings into the lives of his human friends. A bit of drama is added when Smeagull goes missing that will have youngsters grabbing at the pages to see what happens. Add in the absolutely stunning illustrations and you have a book that can be enjoyed by every emerging reader. Don't miss this book!
Quill says: Smeagull the Seagull is the "total package" - a lovely story, with a great message and fantastic illustrations. It should be on every child's nightstand.
For more information on Smeagull the Seagull, please visit the website: www.smeagull.com

Thursday, March 21, 2019

#BookReview - Gathering the Self: Poems of the Heart @skyboyphotos

Gathering the Self: Poems of the Heart

By: David Bayard
Publisher: Skyboy Press
Publication Date: October 2018
ISBN: 978-0996738037
Reviewed by: Anita Lock
Date: March 2019
Wordsmith David Bayard provides an enlightening window into nature and self in his baker-dozen collection of poems, Gathering the Self.
Some people are weirded out by the number 13 for a variety of reasons that go beyond its prime classification; others could care less. To David Bayard, the odd number is nothing less than “spiritually irreducible and emotionally magical.”
A compilation of thirteen writings that span thirty-nine years, Gathering the Selfencompasses Bayard’s “poems of the heart,” or as he would put it—Pommes de Coeur: Apples of the Heart. “Tools of self-discovery and healing medicine,” which were initially used to help him “reclaim” himself, are woven into each poem.
Bayard utilizes his sharp eye and fine-tuned analytical skills for woodworking and photography to look beyond self to understand self through the power of nature. His writings presented either from his viewpoint or an item of nature include an assortment of free verse, prose, rhyme scheme, (extended) limerick, cinquain, and one poem that has a haiku-ish feel to it.
While each piece of work has the ability to stand on its own, permitting readers to meditate on Bayard’s words and embrace them in a way to raise self-awareness and enlightenment, what makes his work unique are the accompanying stories behind the poems. The stories not only add depth to the “who, what, why, where, when, and how,” but also gives readers a glimpse into the author and his personal life journey.
Bayard opens with two of his older writings before entertaining his recent poems. His vulgarity-free lingo largely speaks to relatable issues while at the same time exploring.
While some themes focus on personal struggles and the ability to overcome them through the healing power of the natural world, like in his opening works, “To Cherish” and “Drink Me,” others are reflections on death (“Chrysalis”) and suppressed feelings (“Who Died to Make This?”).
The poems that stand out the most are the ones that are written from the point of view of items of nature since they not only capture possible thought processes, but also provide perspectives of how very small and insignificant humans are to the rest of the world.
In “Katydids,” an ant has difficulty working with carrying dead katydids back to the queen. Bayard likens the ant’s struggle to a wood worker manipulating dead wood:
“Struggle bump, breathe
I carry dead katydids back to the Queen
They yet misbehave in my mandibles
Juices flow as if alive
They will not comply
Inertia! Gravity! They cry. It’s the law!”
Stones offer words of encouragement to persevere through the trials of life in “Runes”:
“We could do more, they say, but all that can be pulled away is at the bottom of the sea
Think not, thou ephemeral brief skins, that they are lost, for nothing that exists is without our memory
Sing and dance upon the deck and challenge just this once supremacy, for all is hope and all is pain mixing endlessly in rhythms great and small.”
Quill says: Enlightening and thought-provoking, Gathering the Self provides poetry lovers with a fresh perspective on life.
For more information on Gathering the Self: Poems of the Heart, please visit the website: skyboyphotos.com/collections/books