Reprinted with permission of Publishers Weekly.
Want  an e-book version of the nation’s bestselling  nonfiction hardcovers?  Don’t bother looking on the iBookstore. Apple  still hasn’t struck a  deal with Random House, publisher of George W.  Bush’s Decision Points and Laura Hillenbrand’s  Unbroken. 
For now, iPad users who want to get any of Random House’s bestsellers -- which also include John Grisham’s The Confession and Stieg Larsson’s  The Girl with the Dragon Tattoo -- need to visit Apple’s App Store and download the free application for the Kindle or the Nook.
On those e-bookstores, consumers are snapping up the  Random House  titles that they can’t get on the iBookstore. The  bestsellers: Stieg  Larsson’s The Girl with the Dragon Tattoo and John Grisham’s The Confession (on the Nook) and Confession and  Unbroken (on the Kindle). On the iBookstore, by contrast, the top two titles are Tom Clancy’s Dead or Alive and Justin Helpern’s  Sh*t My Dad Says. (There is no centralized e-book bestsellers list.)
Publishers declined to speak to PW for attribution about   their e-book sales, but the Kindle Store appears to be the most popular  e-book retailer, followed  distantly by Barnes & Noble's Nook  storefront and then by the iBookstore. Digital book sales, as quickly as  they're rising, also still remain a small percent of publishers’  total  revenues.
Apple offers more than 130,000 books in its  iBookstore and more  than 300,000 applications in its App Store. The store does  not break  out how many of the 300,000 apps are for books.
Apple still keeps its iBookstore titles and its  book apps  separate. The iBookstore only exists on mobile devices (such  as iPads  and iPhones) whereas the App Store is also available on  computers. (The  iBookstore is contained within iBooks,  a book-reader app.)
Apple just added more than 100 illustrated e-books  to its  iBookstore. On Dec. 15, Simon & Schuster Children’s  Publishing  announced that it was offering e-book versions of 17 of its  titles,  including Ian Falconer’s Olivia picture book series and Justin   Richardson and Peter Parnell’s And Tango Makes Three.
And yesterday Open Road Integrated Media, a digital content company  that publishes and markets  e-books, announced that it is offering nine  illustrated stories -- including Callie Cat and Christmas Kitten  -- on  Apple’s iBookstore. (This week Open Road also started to sell  e-books of  the first 19 of the 150 titles in Albert Whitman’s The  Boxcar Children  Mysteries series.)
Not everyone is embracing the iBookstore, though. At this  time  Oceanhouse Media -- the leading publisher of children's digital  book  apps on Apple’s App Store, with the exclusive right to make apps of  Dr.  Seuss’s work -- is not planning to sell  there. “We believe that in  order to have an effective digital  children’s book you need a level of  interactivity that cannot be  provided for with iBooks,” says Oceanhouse  Media president Michel Kripalani. “Only apps can deliver this high  level of  interactivity, and much of the work is custom to each specific  title.”
Oceanhouse Media has sold more than half a million  Dr. Seuss digital book apps since its first release (How the Grinch  Stole Christmas!) just one year ago, says Kripalani. With 140 apps on  the app store, it sells “many thousands” of apps  per day, he says.
One reason: they’re inexpensive compared to iBooks.  “Personally, I  believe that many of the books on the iBookstore are  overpriced,” says  Kripalani. “Why spend $14 on a static digital book  when you can have a  fully interactive Dr. Seuss,  Berenstain Bears, or Mercer Mayer book  for $1.99 to $3.99?”
Apple lets publishers set prices but requires them  to split  revenues 70-30. That means that on a $10 e-book or app sale,  Apple gets  $3 and the publishers and authors split the remaining $7. The author,  then,  typically gets 25% of that $7, or $1.25.
It’s time-consuming to produce e-books of old  titles. Publishers  need to establish a royalty addendum to many  contracts, and then they  need to create the digital versions of the  stories.
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