Friday, August 28, 2009
Monday, August 24, 2009
Friday, August 21, 2009
Thursday, August 20, 2009
Right now, Ripple is building its library of books it will have the rights to sell recordings of. The deals are still in the works, so York can't announce any particular titles, but she said, "I'm working on some pretty amazing stuff with big names. I am talking to individual authors, indie publishers, and very large publishers about posting their books to our library." Ripple plans to launch to consumers in the fall.
Ripple presents an interesting situation in terms of rights to the books. "Basically what we're asking for is the digital right to post the book in its entirety on our site. One of the reasons it's taking a while is it's a brand new technology and publishers are trying to find a way to fit this into their rights deals. It's not an e-book, not an audiobook, not really software. What's separating us is it's a personal recording, nonpublic," said York.
A screenshot of the Ripple player.The person buying the recording will interface with a special recording site, on which they'll see a large version of the book they pick and make their recording. Then, they'll email the recording to the recipient packaged with a version of the book that will appear smaller on the screen in order to encourage reading along with the print edition. York says the files will have full DRM to protect intellectual property rights. The audio recording is only available through Ripple to the person who recorded it, who can send additional copies to other recipients at a discounted rate. A single recording will cost $9.95, and there will be three other packages available for 4, 12, or 24 recordings, with the price per going as low as $4.58.
A few factors make Ripple an especially attractive deal for publishers: first, the company is asking for non-exclusive rights to post books, meaning a publisher can still sell their books as e-books elsewhere. Ripple also sees the physical book as an integral part of the children's book experience, so the company will initially post a link to whatever e-tailer the publisher wants to buy a physical copy. Down the line, the company plans to sell physical books through its own site. Publishers will get $1 per recording sent, no matter what package the consumer buys.
More news to come as deals are announced.
Wednesday, August 19, 2009
RETURNS TO MUSEUM HILL SATURDAY, SEPTEMBER 26
Festival to Feature 71 New Mexican Women Authors in a Variety of Genres
SANTA FE, NM—Seventy-one New Mexico women authors will gather on Museum Hill on Saturday, September 26, for the second “New Mexico Women Authors’ Book Festival,” the only festival in New Mexico that spotlights the strength of the state’s women writers and celebrates the joy of reading for people of all ages.
Admission is free to the festival, which takes place from 11 a.m. to 5 p.m. at Milner Plaza on Museum Hill. Guests receive a free book bag and free admission to the Museum of International Folk Art and Museum of Indian Arts & Culture. Food booths will be open on Milner Plaza.
Nationally acclaimed “Chick-Lit” author Alisa Valdes-Rodriguez, Tony Hillerman Prize-winner Christine Barber, award-winning investigative reporter and author Sally Denton, beloved children’s book author Barbara Beasley Murphy, renowned feminist author Sallie Bingham and 66 other notable New Mexican authors will present works in areas of fiction, poetry, history and biography, creative arts, spirit, health and family, and children’s literature. A variety of authors will also explore such special topics as self-publishing, romance writing, memoir, revision and rewriting, and more. (A full schedule of authors, topics and presentation times is attached and at newmexicocreates.org )
Modeled after the Library of Congress’ National Book Festival, the New Mexico Women Authors’ Book Festival features a series of open-air pavilions where authors read and discuss their craft in 25-minute intervals in a casual, interactive setting. Book signings follow each author’s presentation. In addition, select authors will meet with members of local book groups who wish to make an author’s particular work a selection of their book club. And Santa Fe’s popular Book Arts Group will exhibit a selection of handmade books.
The New Mexico Women Authors’ Book Festival is a project of the Museum of New Mexico Foundation Shops’ “New Mexico Creates,” program, which provides marketing and promotion opportunities and support to artists, artisans, authors, and other creative entrepreneurs statewide. The event is made possible by a generous grant from the Marineau Family Foundation.
For information about additional festival sponsorship opportunities, or how to become a festival volunteer, contact John Stafford, Museum Shops Director of Retail Operations, at 505-982-3016, ext. 25, or email email@example.com.
For more information about the New Mexico Women Authors’ Book Festival, and for a full schedule of events, please visit newmexicocreates.org.
Monday, August 17, 2009
Friday, August 14, 2009
- DO NOT - use the entire back cover to talk about what a great writer you are, particularly if you are an unknown author.
- DO NOT - mention the writing award you received in third grade (yes, this was on a back cover!).
- DO NOT - start the book description with phrases such as, "the greatest book on..." "the new blockbuster..." "destined to be a classic..." "the incredible new story on..." etc. Yes, you want to promote your book but if you get carried away with such exaggerations, the only person who might believe you is your mother.
- DO NOT - use the entire back cover to describe the topic of your book. You should be able to do it in one or two short paragraphs. Shoppers will lose interest before getting to the bottom of the text and move on to the next book.
- DO NOT - have typos anywhere on that cover! Obviously, you don't want any typos in the book, inside or out. We've seen plenty of books with several typos on the back cover. Consider it one easy way to lose sales!
- DO NOT - include a picture that overshadows the text and makes it hard to read.
- DO NOT - use hard to read fonts or text that is extremely small. Remember the 40+ crowd doesn't like to squint at text.
- DO - include at least one quote from a well-known person in your book's field. Getting a top notch quote can sell a lot of books.
- Do - include a brief bio on the author
- Do - include a succinct plot overview - this is perhaps the most important part of the back cover. You need to draw the reader into the story/text, convey the need to read the book, without giving away the ending.
Tuesday, August 11, 2009
Monday, August 10, 2009
Friday, August 7, 2009
Tuesday, August 4, 2009
SYLVAN DELL PUBLISHING
FOR IMMEDIATE RELEASE
JULY 29, 2009
MOVE OVER KINDLE
Sylvan Dell’s innovative eBook format promises to improve reading speeds, comprehension, and language learning skills
MT PLEASANT, SC – Sylvan Dell Publishing goes LIVE this week with its next generation eBook, proving the company represents “so much more than a picture book;” it represents a full-fledged campaign for literacy in America.
From Sylvan Dell publisher and co-founder Lee German: “These are the most technologically advanced eBooks in the world today, featuring Auto-Flip, Auto-Read, and Selectable Language. There is nothing even close to this on the market. Amazon/Kindle and Barnes & Noble eBooks are not even in the same category. I encourage parents and teachers to take a test-drive and see for themselves. Let the children play with these for a few weeks, and you’ll be amazed at their excitement and improved reading performance. For children wanting to learn a foreign language or ESOL families learning English, these are phenomenal tools.”
Below is a link to a 90-day trial of all 45 Sylvan Dell eBooks:
Code expiration date: 10/31/2009
For guided directions:http://www.sylvandellpublishing.com/documents/eBookOperatingInstructions.pdf
“Whether in Auto-Flip or Manual Mode, switch back and forth between English and Spanish text and audio (more language choices on the way) and remain on the same page,” said German. “With the addition of Auto-Flip and Auto-Read features, our Sylvan Dell eBooks are powerful literacy and language learning tools to complement our mission of teaching ‘Science and Math Through Literature.’”
Sylvan Dell is no newcomer to literacy education and no stranger to technological advances. Since the company’s founding in 2004, co-founders Lee and Donna German have been ahead of the picture book publishing curve. Last year, Sylvan Dell awarded free eBook site licenses to over 2600 elementary and Title I/III schools nationwide through their School Resource Grant Program.
What’s next? According to German, “We want moms, dads, and grandparents to be able to record a reading of our books and add that audio to the language selection list. This is especially important for military families with a parent overseas. We are also developing an iPhone, iPod, and iPod touch application so that our eBooks will be available on handhelds and an online data capture system to allow teachers to track student reading and quiz performance.”
Sylvan Dell eBooks are available on the company website,http://SylvanDellPublishing.com, as are an array of free educational resources, which include Teaching Activities and Interactive Math and Reading Comprehension Quizzes. For more information about the eBooks, visithttp://www.sylvandellpublishing.com/ebooks.php. For more about the eBook Resource Grants: http://www.sylvandellpublishing.com/ResourceGrant.htm.
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Monday, August 3, 2009
Sunday, August 2, 2009
This Is Where I Leave You by Jonathan Tropper
Jonathan Tropper writes compulsively readable, laugh-out-loud funny novels, and his fifth book, This Is Where I Leave You is his best yet. Judd Foxman is oscillating between a sea of self-pity and a "snake pit of fury and resentment" in the aftermath of the explosion of his marriage, which ended "the way these things do: with paramedics and cheesecake." Foxman is jobless (after finding his wife in bed with his boss) and renting out the basement of a "crappy house" when he is called home to sit shiva for his father--who, incidentally, was an atheist. This of course means seven days in his parent's house with his exquisitely dysfunctional family, including his mom, a sexy, "I've-still-got-it" shrink fond of making horrifying TMI statements; his older sister, Wendy, and her distracted hubby and three kids; his snarky older brother, Paul, and his wife; and his youngest brother, Phillip, the "Paul McCartney of our family: better-looking than the rest of us, always facing a different direction in pictures, and occasionally rumored to be dead." Tropper is wickedly funny, a master of the cutting one-liner that makes you both cringe and crack up. But what elevates his novels and makes him a truly splendid writer is his ability to create fantastically flawed, real characters who stay with you long after the book is over. Simultaneously hilarious and hopeful, This Is Where I Leave You is as much about a family's reckoning as it is about one man's attempt to get it together. The affectionate, warts-and-all portrayal of the Foxmans will have fans wishing for a sequel (and clamoring for all things Tropper).
The Magicians by Lev Grossman
Narnia and Oz to Harry PotterEarthsea) with the sex, excess, angst, and anticlimax of life in college and beyond, Lev Grossman's The Magicians reimagines modern-day fantasy for grownups. Quentin Coldwater lives in a state of perpetual melancholy, privately obsessed with his childhood books about the enchanted land of Fillory. When he's admitted to the surreptitious Brakebills Academy for an education in magic, Quentin finds mastering spells is tedious (and love is even more fraught). He also discovers his power has thrilling potential--though it's unclear what he should do with it once he's moved with his new magician cohorts to New York City. Then they discover the magical land of Fillory is real and launch an expedition to use their powers to set things right in the kingdom--which, naturally, turns out to be a much murkier proposition than expected.The Magicians breathes life into a cast of characters you want to know--if the people you want to know are charismatic, brilliant, complex, flawed magicians--and does what Quentin claims books never really manage to do: "get you out, really out, of where you were and into somewhere better." Or if not better, at least a heck of a lot more interesting.--Mari Malcolm
Mixing the magic of the most beloved children's fantasy classics (from
The Wilderness Warrior by Douglas Brinkley
"The movement for the conversation of wild life and the larger movement for the conservation of all our natural resources are essentially democratic in spirit, purpose, and method." So wrote Theodore Roosevelt, known as the "naturalist President" for his efforts in protecting wildlife and wilderness, merging preservation and patriotism into a quintessential American ideal. The Wilderness Warrior, Douglas Brinkley's massive(ly readable) new biography, intrepidly explores the wilderness of influences (Audubon and Darwin), personal relationships (Muir and Pinchot), and frontier adventures (too many to mention) that shaped Roosevelt's proto-green views. Topping 800 pages (ironically, one wonders how many trees fell for the first printing), The Wilderness Warrior makes an excellent companion to Timothy Egan's The Big Burn and Ken Burns's The National Parks: America's Best Idea. --Jon Foro
Saturday, August 1, 2009
FQ: How much did you know about the Brontës before you started this project? How did your perception of Charlotte change (if it did) once you started writing?
Before I started my research for this novel, I knew nothing about the Brontes, other than the fact that they were sisters who wrote two of the world’s most famous novels. I was incredibly curious to find out who Charlotte and Emily were, and what inspired them to write these books that I so admired. I was astonished to discover the incredible volume of writing the Brontes did as children, and what wonderful artists and poets the sisters were. I was delighted to “meet” Anne. I was surprised to learn that Charlotte was secretly in love with a married man, and that he was the partial inspiration for many of the heroes in her novels.
It was intriguing to discover what a private and introverted woman Emily was, considering the very passionate novel she penned. I was touched to learn that Mr. Nicholls was secretly in love with Charlotte for so many years, before he had the nerve to propose. It's a remarkable story, and the Brontes were a complicated and fascinating family.
FQ: Bronte remarks that she didn't care for Jane Austen's literature because it was "lacking in sentiment." Since you have also written a book about Austen, what do you think she would have made of Jane Eyre?
I believe Jane Austen would have greatly admired Jane Eyre, for it is one of the most perfectly conceived gothic novels ever written. It has romance, mystery, horror, and the classic medieval setting of an ancient manor home that resembles a castle. Jane Eyre's story is very appealing: the rise of a poor orphan girl against seemingly insurmountable odds, and a tormented hero who is ultimately redeemed by her love and determination.
Jane Eyre also has serious things to say about timeless issues, such as women's struggle for equality, the realization of self, the relations between men and women, and the nature of true love. These are topics which were all dear to Jane Austen’s heart—and Austen always loved a good story. Although Austen did write her mature novels with more restraint (when it came to passion) than any of the Brontes, she enjoyed gothic novels, and wrote incredibly torrid and passionate stories in her youth which are very similar in subject and tone to the works of the Brontes.
FQ: Did you need to change Charlotte's tone or the narrative to make the book appeal to a contemporary audience?
I made a concerted effort to stay true to Charlotte’s life story and to the voice in her novels and correspondence, and to represent the people in her life as accurately as possible. For much of her romance with Mr. Nicholls I was obliged to use my imagination, since we do not know exactly what transpired between them in the early years of their acquaintance—nor can we know exactly what occurred on their wedding night. I may have romanticized a few things about their relationship for today’s audience, but in the end, I wrote the story that I would love to read!
FQ: You begin the book with a marriage proposal. Why did you choose to lead with that diary entry?
My goal is always to keep the reader turning pages: to begin with a hook that poses a question, and keeps the readers in suspense to find out how that question is resolved. This is such a huge story. I didn’t want to tell it in linear fashion. This seemed to be the most interesting way to structure the novel.
FQ: What is your next project?
It’s entitled Dracula, My Love. It's a retelling of Bram Stoker's famous Victorian novel from the point of view of the heroine, Mina Harker: the untold story of her secret, scandalous passion for the man who is not her husband—the young, gorgeous, charismatic, intelligent Count Dracula, who she deeply loves, despite herself.
This is a Dracula unlike the one we usually see in film and print: a vampire with a heart and soul, who struggles against the evil within him, and has been misunderstood. The novel will be published by Morrow in 2010. I’m having such a fabulous time writing this book. If you liked Jane Austen's Mr. Ashford, I promise this is a Dracula you will love!
Syrie welcomes visitors and messages at her website, Syrie James.com